1 00:00:01,500 --> 00:00:03,541 [sea surf] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.BZ 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.BZ 4 00:01:10,875 --> 00:01:13,416 - [soft and cheerful music] - [film theme] 5 00:01:23,375 --> 00:01:26,166 [theme stops on a high piano note] 6 00:01:27,500 --> 00:01:28,833 [Machond] Ah, the void... 7 00:01:29,000 --> 00:01:30,833 Yes, emptiness again. 8 00:01:31,208 --> 00:01:33,625 Tabula rasa et vita nova. 9 00:01:33,791 --> 00:01:36,875 That means “clean slate” and “new life”. 10 00:01:37,041 --> 00:01:38,333 It's Latin. 11 00:01:38,500 --> 00:01:41,708 My first empty room? I don't count the storage rooms, eh. 12 00:01:41,875 --> 00:01:46,208 It's Mannheim. It's 1989. Big scandal. 13 00:01:46,375 --> 00:01:48,416 I have a scar, you see? 14 00:01:48,583 --> 00:01:50,791 A critic told me a can. 15 00:01:50,958 --> 00:01:54,166 It was my nothing period. It means "nothing" in English. 16 00:01:54,333 --> 00:01:56,375 I don't care what you think. 17 00:01:56,541 --> 00:01:58,916 Then 2009, the retrospective in Beaubourg. 18 00:01:59,083 --> 00:02:01,750 Yes, a consecration, we can see it like this. 19 00:02:01,916 --> 00:02:03,416 Sorry, next? 20 00:02:04,125 --> 00:02:06,458 Then it's breakup, separation, 21 00:02:06,625 --> 00:02:09,833 it's... withdrawal from the world. I don't want to talk about that. 22 00:02:10,000 --> 00:02:12,291 No, but don't insist, my old man! 23 00:02:12,458 --> 00:02:13,666 I say no. 24 00:02:13,833 --> 00:02:14,958 [doorbell] 25 00:02:18,541 --> 00:02:21,333 I dedicated myself body and soul to teaching. 26 00:02:21,500 --> 00:02:24,291 But now it's over! Radical change. 27 00:02:24,458 --> 00:02:26,666 Machond still has something to say! 28 00:02:26,833 --> 00:02:28,000 [in a gentle tone] Yes? 29 00:02:28,166 --> 00:02:29,958 - Machond, is that you? - Yes. 30 00:02:30,125 --> 00:02:31,708 - Mover. - Oh ! 31 00:02:31,875 --> 00:02:33,666 Sorry, excuse me. 32 00:02:33,833 --> 00:02:35,791 [Machond stammers] It's over there. 33 00:02:36,083 --> 00:02:38,375 [film theme] 34 00:02:50,875 --> 00:02:52,375 [a door slams] 35 00:02:52,541 --> 00:02:54,208 [an engine starts] 36 00:02:56,000 --> 00:02:58,958 [the van drives away] 37 00:02:59,125 --> 00:03:01,250 Mr Machond, are you leaving? 38 00:03:01,416 --> 00:03:02,708 Oh ! 39 00:03:02,875 --> 00:03:05,208 Oh children, what a nice surprise! 40 00:03:05,375 --> 00:03:07,166 It's nice to say goodbye to me. 41 00:03:07,333 --> 00:03:09,166 nothing more Don't keep me here. 42 00:03:09,333 --> 00:03:11,625 You will live to the sea, then? 43 00:03:11,791 --> 00:03:13,458 Yes, the sea, the waves, 44 00:03:13,625 --> 00:03:16,333 the strike, the muse of painters. 45 00:03:16,916 --> 00:03:20,166 We came to tell you that you were our favorite teacher. 46 00:03:21,083 --> 00:03:22,333 It's true ? 47 00:03:23,791 --> 00:03:25,708 Oh dear, that makes me... I am... 48 00:03:26,208 --> 00:03:28,083 Oh it touches me, the children. 49 00:03:28,250 --> 00:03:30,375 - You made us laugh. - Yes. 50 00:03:30,541 --> 00:03:31,458 Laugh ? 51 00:03:31,625 --> 00:03:35,041 Okay, yes. You know, among the great apes, 52 00:03:35,208 --> 00:03:39,000 manifestation of fear is sometimes confused with laughter. 53 00:03:39,166 --> 00:03:40,916 "Beyond beauty, 54 00:03:41,083 --> 00:03:44,125 begins the terrible." - [the student laughs] 55 00:03:44,291 --> 00:03:47,458 - Rainer Maria Rilke. - That's it. 56 00:03:47,625 --> 00:03:49,833 - A small gift. - Oh ! 57 00:03:50,000 --> 00:03:52,291 - It's from everyone. - Chocolate! 58 00:03:52,458 --> 00:03:54,625 You spoil me. I love chocolate. 59 00:03:54,791 --> 00:03:56,875 - Where do they come from? - Marcolini. 60 00:03:57,041 --> 00:03:59,958 No, I was asking what country do they come from? 61 00:04:00,125 --> 00:04:03,041 - I don't know. - Ah, it's important, Amber. 62 00:04:03,208 --> 00:04:05,375 We're not kidding with the chocolate. 63 00:04:05,541 --> 00:04:08,541 Venezuelan chocolate is different from Ethiopian. 64 00:04:08,708 --> 00:04:10,416 A chocolate from the Carpathians, 65 00:04:10,583 --> 00:04:13,000 it's a chocolate more muscular, 66 00:04:13,166 --> 00:04:15,458 more aggressive with its small berries. 67 00:04:15,625 --> 00:04:17,208 Only the Chinese 68 00:04:17,375 --> 00:04:18,833 who don't know how to do it. 69 00:04:19,000 --> 00:04:20,708 Never mind. Tabula rasa, 70 00:04:20,875 --> 00:04:23,208 vita nova. Alea jacta est! 71 00:04:23,375 --> 00:04:24,541 We're leaving! 72 00:04:24,708 --> 00:04:26,208 Well done, sir. 73 00:04:26,375 --> 00:04:28,458 [the theme of the film becomes more dynamic] 74 00:05:28,916 --> 00:05:31,125 [the theme softens] 75 00:05:33,666 --> 00:05:36,833 [seagulls sing] 76 00:05:39,041 --> 00:05:41,208 [car engine turns off] 77 00:05:41,375 --> 00:05:43,541 [high piano notes] 78 00:05:47,833 --> 00:05:50,541 [metal clicking] 79 00:05:57,833 --> 00:05:59,166 [he sighs] 80 00:05:59,333 --> 00:06:02,666 [exhales and inhales deeply] 81 00:06:03,333 --> 00:06:05,333 [squeaking] 82 00:06:20,708 --> 00:06:23,000 - Look. - [a bell rings] 83 00:06:24,916 --> 00:06:26,875 I didn't lie to you. 84 00:06:28,500 --> 00:06:30,458 Vita nova. 85 00:06:31,291 --> 00:06:32,666 [he exclaims] 86 00:06:33,625 --> 00:06:35,208 [he breathes heavily] 87 00:06:35,375 --> 00:06:36,708 What do you say? 88 00:06:37,750 --> 00:06:39,666 Of course I'm going to do it, 89 00:06:39,833 --> 00:06:41,916 but let me a little time. 90 00:06:42,083 --> 00:06:44,750 - [a bell rings] - No, no, no. You're right. 91 00:06:44,916 --> 00:06:46,833 We must not waste time. 92 00:06:47,000 --> 00:06:50,250 But I still have time to unpack my things, right? 93 00:06:52,750 --> 00:06:55,791 [metallic squeaks like a rocking boat] 94 00:07:04,541 --> 00:07:06,166 [he groans, interested] 95 00:07:07,458 --> 00:07:09,000 [he moans, conquered] 96 00:07:09,166 --> 00:07:10,541 [he chews hard] 97 00:07:10,708 --> 00:07:11,875 Valid. 98 00:07:13,375 --> 00:07:16,375 - [he breathes heavily] - [stressful music, crescendo] 99 00:07:27,583 --> 00:07:29,708 [paced, stressful music] 100 00:07:31,791 --> 00:07:33,333 [drum beat] 101 00:07:35,458 --> 00:07:37,291 [drum beat] 102 00:07:37,458 --> 00:07:39,291 [music stops] 103 00:07:42,208 --> 00:07:44,666 - [he shouts] - [music resumes, all-encompassing] 104 00:07:48,208 --> 00:07:49,916 [he shouts] 105 00:07:50,083 --> 00:07:51,250 Oh! 106 00:07:51,416 --> 00:07:53,333 [metallic squeaks] 107 00:07:53,958 --> 00:07:56,041 [objects are dropped] 108 00:07:58,833 --> 00:08:01,625 - [seagulls sing] - [the wind blows] 109 00:08:17,708 --> 00:08:18,916 Sir! 110 00:08:21,000 --> 00:08:22,250 Good morning. 111 00:08:23,291 --> 00:08:25,666 You are on private property here. 112 00:08:26,125 --> 00:08:28,291 Someone lives there, now? 113 00:08:28,458 --> 00:08:32,000 Yes, me. It's written. “Private property”. 114 00:08:32,166 --> 00:08:34,375 - Is the car yours? - Yes. 115 00:08:34,541 --> 00:08:37,916 - Are you squatting? - I don't squat. I live here. 116 00:08:38,083 --> 00:08:40,708 What ? Did you buy this? 117 00:08:41,041 --> 00:08:43,791 - Is it livable? - Yes, it's livable. 118 00:08:43,958 --> 00:08:46,500 But you don't have sea view there, eh. 119 00:08:46,666 --> 00:08:49,291 A choice of the architect, George Mouton, 120 00:08:49,458 --> 00:08:50,916 against the dictates of the panorama. 121 00:08:51,083 --> 00:08:54,041 Unlike you. Now go away. 122 00:08:54,208 --> 00:08:55,833 Well, I'm sorry. 123 00:08:56,000 --> 00:08:58,166 It's been years that I paint here, 124 00:08:58,333 --> 00:08:59,916 on the pattern. 125 00:09:00,083 --> 00:09:02,000 - Yeah. - I'm confused. 126 00:09:02,166 --> 00:09:04,416 No, but you couldn't have known that. 127 00:09:04,583 --> 00:09:06,458 But are you a painter? 128 00:09:06,625 --> 00:09:08,583 [Machond exhales] Painter... 129 00:09:08,750 --> 00:09:10,875 It's a little more nuanced than that. 130 00:09:11,041 --> 00:09:13,375 Eh, oh, we are among painters, let's go. 131 00:09:13,541 --> 00:09:14,541 Eh ? 132 00:09:14,708 --> 00:09:17,166 - It's more complicated, that's it. - [the other laughs] 133 00:09:17,333 --> 00:09:18,625 Painter but... 134 00:09:18,791 --> 00:09:21,541 Don't lie to me, look at your blouse. 135 00:09:21,708 --> 00:09:24,041 Pierre Bagnoule, painter 136 00:09:24,208 --> 00:09:26,416 du Tréport. - Jean-Yves Machond. 137 00:09:26,583 --> 00:09:28,666 Well we will have a drink. 138 00:09:28,833 --> 00:09:29,666 Come on ! 139 00:09:29,833 --> 00:09:32,208 - It's early, isn't it? - I only have cups, 140 00:09:32,375 --> 00:09:34,791 that would be good let's go to your house, right? 141 00:09:34,958 --> 00:09:36,750 Uh, at my place? No. 142 00:09:36,916 --> 00:09:38,791 Because, you see, 143 00:09:38,958 --> 00:09:41,875 the visit to the workshop involves an intimacy that... 144 00:09:42,041 --> 00:09:45,000 Don't worry. We'll do that another time, eh. 145 00:09:45,166 --> 00:09:48,083 Come on, that’s not a joke. Taste this for me. 146 00:09:48,500 --> 00:09:51,500 You know, Belloul, you were telling me about this blouse. 147 00:09:51,666 --> 00:09:53,166 - Carnoule. - Pardon ? 148 00:09:53,333 --> 00:09:55,041 - Carnoule. - Yes. 149 00:09:55,208 --> 00:09:57,708 - You were telling me about this blouse. - Yes. 150 00:09:57,875 --> 00:09:59,958 You know who did she belong? 151 00:10:00,125 --> 00:10:01,666 No. HAS... ? 152 00:10:02,125 --> 00:10:05,041 Bernard Buffett, who got it from Henri Matisse, 153 00:10:05,208 --> 00:10:07,250 who held her by Jeanne Boudin. 154 00:10:07,416 --> 00:10:08,666 It's crazy. 155 00:10:08,833 --> 00:10:12,000 I bought it in a room sales five years ago. 156 00:10:12,166 --> 00:10:14,125 With, uh... the easel. 157 00:10:14,291 --> 00:10:16,000 [soft music] 158 00:10:16,166 --> 00:10:18,750 I still have to find the palette now. 159 00:10:18,916 --> 00:10:20,333 It's a concept. 160 00:10:20,500 --> 00:10:24,916 A concept that must have cost a lot all the same, there, eh. 161 00:10:25,083 --> 00:10:27,333 Expensive, but hey... Favorite. 162 00:10:28,958 --> 00:10:33,166 Imagine that I knew someone who knew Bernard Buffet well. 163 00:10:33,333 --> 00:10:34,416 Ah good ? 164 00:10:34,583 --> 00:10:38,375 Yeah, she's a painter friend extraordinary 165 00:10:38,541 --> 00:10:41,666 and you should meet her. Eh ? All right ? 166 00:10:41,833 --> 00:10:44,541 And you should come at home, especially. 167 00:10:44,708 --> 00:10:46,708 We are a small group. 168 00:10:46,875 --> 00:10:48,958 No ? Don’t you like that? 169 00:10:49,125 --> 00:10:51,125 [Machond hesitates] Well, yes... 170 00:10:51,291 --> 00:10:53,541 I have to see if I have time. 171 00:10:53,708 --> 00:10:56,625 - [bursts of laughter] - [music takes over] 172 00:10:56,791 --> 00:11:00,000 [indistinct conversation] 173 00:11:01,750 --> 00:11:03,916 [music suddenly stops] 174 00:11:04,083 --> 00:11:05,625 [percussion notes] 175 00:11:05,791 --> 00:11:07,958 [Machond in a dry tone] Jean-Yves Machond. 176 00:11:08,125 --> 00:11:10,458 [in a friendly tone] Jean-Yves Machond. 177 00:11:11,458 --> 00:11:13,708 [in a pedantic tone] Jean-Yves Machond. 178 00:11:13,875 --> 00:11:15,208 Well, say so! 179 00:11:18,125 --> 00:11:20,041 [camera shutter] 180 00:11:32,083 --> 00:11:34,250 [seagulls sing] 181 00:11:40,416 --> 00:11:41,916 [he sighs] 182 00:11:44,875 --> 00:11:47,625 [the engine whirs] 183 00:11:47,791 --> 00:11:50,166 [cool, upbeat music on the radio] 184 00:11:57,333 --> 00:11:59,791 [he sings in English, voice hoarse] 185 00:12:07,625 --> 00:12:10,125 [he laughs between words] 186 00:12:15,041 --> 00:12:18,500 - [he sings at the top of his lungs] - [the music is all-encompassing] 187 00:12:22,458 --> 00:12:24,666 [music loses intensity] 188 00:12:24,833 --> 00:12:28,041 [singing, with an English accent] Jean-Yves Machond! 189 00:12:30,041 --> 00:12:32,500 - [honks] - [tires screech] 190 00:12:32,666 --> 00:12:34,166 [Machond] Back off, asshole! 191 00:12:51,250 --> 00:12:53,208 [music stops] 192 00:12:53,375 --> 00:12:55,500 [he whistles a happy tune] 193 00:12:55,666 --> 00:12:59,833 [seagulls sing] 194 00:13:16,125 --> 00:13:18,916 Sir? But how did you get in? 195 00:13:19,583 --> 00:13:21,416 Through the door, of course. 196 00:13:21,583 --> 00:13:23,250 I'm coming to the opening. 197 00:13:23,416 --> 00:13:25,916 By Pierre Bagnoule, the painter. 198 00:13:26,083 --> 00:13:27,916 It's way too early. 199 00:13:28,083 --> 00:13:30,333 We don't open only in half an hour. 200 00:13:31,750 --> 00:13:32,833 All right. 201 00:13:33,500 --> 00:13:35,000 - So I...? - Yes. 202 00:13:35,166 --> 00:13:36,375 Yes, there you go. 203 00:13:37,666 --> 00:13:38,708 THANKS. 204 00:13:42,333 --> 00:13:44,500 [French song on the radio] 205 00:13:48,708 --> 00:13:50,333 - Hello. - Good morning. 206 00:13:52,000 --> 00:13:53,083 Good morning. 207 00:13:53,250 --> 00:13:54,791 Hello Sir. 208 00:13:55,583 --> 00:13:58,458 - Can I get you something? - Um, yes. 209 00:13:58,625 --> 00:14:00,708 Do you have a map, a menu? 210 00:14:00,875 --> 00:14:03,208 If it's to eat, it's too early. 211 00:14:03,375 --> 00:14:06,708 No, I would like a drink, a drink. 212 00:14:11,000 --> 00:14:12,500 A recommendation? 213 00:14:12,666 --> 00:14:14,291 No, it's on the map. 214 00:14:14,458 --> 00:14:16,291 Do you have cocktails? 215 00:14:16,458 --> 00:14:19,291 Oh yes, it is written. No, no, wait, wait. 216 00:14:19,458 --> 00:14:20,333 Hmm. 217 00:14:20,500 --> 00:14:21,916 So much choice. 218 00:14:22,833 --> 00:14:25,750 It's an art to choose a cocktail at the right time. 219 00:14:25,916 --> 00:14:27,125 [sneer] 220 00:14:28,208 --> 00:14:30,916 Fitzgerald said: “We don’t care about the time 221 00:14:31,083 --> 00:14:33,166 because it's always time." 222 00:14:33,333 --> 00:14:35,125 Because the Earth rotates. 223 00:14:35,291 --> 00:14:38,083 Whatever the place, the Earth rotates. 224 00:14:38,250 --> 00:14:40,625 It's always aperitif time. 225 00:14:40,791 --> 00:14:42,208 What are you taking? 226 00:14:44,041 --> 00:14:46,541 I'm going to let myself be tempted by a... 227 00:14:46,708 --> 00:14:48,041 a blue sky. 228 00:14:49,208 --> 00:14:50,500 Are you sure? 229 00:14:50,666 --> 00:14:53,166 Yes, I feel blue today. 230 00:14:53,333 --> 00:14:56,000 It's the color of truth and spirituality. 231 00:14:56,416 --> 00:14:58,041 The blues! 232 00:14:58,208 --> 00:14:59,916 The blues, the blue hour. 233 00:15:01,208 --> 00:15:03,166 Don't you have any condiments? 234 00:15:03,333 --> 00:15:05,958 - It's not time. - Of course, of course. 235 00:15:06,125 --> 00:15:08,500 [a lady speaks on the radio] 236 00:15:11,833 --> 00:15:14,458 [a small and heavy object falls] 237 00:15:29,416 --> 00:15:31,250 [Machond groans, interested] 238 00:15:36,125 --> 00:15:37,583 It's interesting. 239 00:15:38,666 --> 00:15:41,458 - Is it a local specialty? - No. 240 00:15:41,625 --> 00:15:42,916 Artist ? 241 00:15:43,583 --> 00:15:45,041 [Deborah] If you want. 242 00:15:45,708 --> 00:15:48,125 I hope they don't come of Étretat. 243 00:15:48,291 --> 00:15:50,291 It is forbidden to collect them. 244 00:15:50,458 --> 00:15:52,000 - Oh yes ? - Oh yes ! 245 00:15:52,166 --> 00:15:54,083 No, these come from here. 246 00:15:58,666 --> 00:16:01,125 Phew... Damn, how bad it is. 247 00:16:01,291 --> 00:16:02,916 Here, I'll leave it to you, 248 00:16:03,083 --> 00:16:06,041 if you need a little blue for your stones. 249 00:16:08,458 --> 00:16:10,208 [Machond grumbles] 250 00:16:11,250 --> 00:16:14,375 It was very bad what you served me. 251 00:16:14,541 --> 00:16:17,625 [piano notes, soft and calm] 252 00:16:18,875 --> 00:16:21,166 [Masha] Amazing. 253 00:16:21,333 --> 00:16:23,250 [Bagnoule] Macha, it's not surprising. 254 00:16:23,416 --> 00:16:25,791 - For what ? - Because it’s magnificent. 255 00:16:26,500 --> 00:16:27,708 [Masha] Thank you. 256 00:16:28,875 --> 00:16:30,583 Hey, Machond! How are you ? 257 00:16:30,750 --> 00:16:32,500 You're exhausted like a milord. 258 00:16:32,666 --> 00:16:34,000 What is this? 259 00:16:34,166 --> 00:16:35,791 - Japanese. - Oh yeah? 260 00:16:35,958 --> 00:16:39,250 Come, let me introduce you Macha Moniak, the artist. 261 00:16:39,416 --> 00:16:41,541 - She's great. - Already ? 262 00:16:42,333 --> 00:16:44,458 - Masha? Masha? - Yes ? 263 00:16:44,625 --> 00:16:45,916 I present to you 264 00:16:46,083 --> 00:16:47,791 Machond, a painter 265 00:16:47,958 --> 00:16:50,666 angry, eh, that's it what were you explaining to me? 266 00:16:50,833 --> 00:16:52,041 Jean-Yves. 267 00:16:52,208 --> 00:16:54,166 I am Jean-Yves Machond. 268 00:16:54,333 --> 00:16:57,833 I haven't had time yet to discover well, but it smells good. 269 00:16:58,000 --> 00:16:59,708 And you are a painter? 270 00:16:59,875 --> 00:17:01,625 It's more complex. 271 00:17:01,791 --> 00:17:03,500 Abstract, figurative? 272 00:17:07,541 --> 00:17:09,541 Have you seen my retrospective? 273 00:17:10,458 --> 00:17:13,833 In Paris, at the Petit Palais, last year. 274 00:17:14,000 --> 00:17:15,208 Little Palace... 275 00:17:17,583 --> 00:17:19,583 [Bagnoule] Quite a number, eh. Did you see? 276 00:17:19,750 --> 00:17:22,583 It was she who knew Bernard Buffet, you know? 277 00:17:22,750 --> 00:17:25,375 Buffet, he was born in 23. 278 00:17:25,541 --> 00:17:28,125 - He made love to her at what age? - Yes, uh... 279 00:17:28,291 --> 00:17:29,750 See you later. 280 00:17:29,916 --> 00:17:31,625 [brouhaha] 281 00:17:41,708 --> 00:17:43,166 Hmm. 282 00:17:49,833 --> 00:17:51,416 Do you like it? 283 00:17:51,583 --> 00:17:53,416 [Machond is intimidated] 284 00:17:53,583 --> 00:17:55,708 I was wondering 285 00:17:55,875 --> 00:17:58,375 if it was oil or acrylic? 286 00:17:58,541 --> 00:18:00,833 Probably a mixture, I think, yes. 287 00:18:02,208 --> 00:18:04,416 Cécile Fouasse-Demauprès. 288 00:18:05,125 --> 00:18:07,500 - I am the gallery owner. - Oh, you big guy! 289 00:18:07,666 --> 00:18:09,625 - Delighted ! - Enchanted. 290 00:18:09,791 --> 00:18:11,958 - Very nice gallery. - Isn't it? 291 00:18:12,125 --> 00:18:13,958 Very nice installation. 292 00:18:14,916 --> 00:18:17,666 - You don't like it? - No, I didn't say that. 293 00:18:17,833 --> 00:18:19,666 Simply, that's the subject. 294 00:18:19,833 --> 00:18:22,541 You see, the female sex, in our time... 295 00:18:22,708 --> 00:18:25,750 After Courbet, everything has been said. Finally, I have the feeling. 296 00:18:25,916 --> 00:18:28,791 Unless she put a third degree... 297 00:18:28,958 --> 00:18:29,958 Sushi? 298 00:18:30,125 --> 00:18:32,333 Yes thank you. ...a political speech. 299 00:18:32,500 --> 00:18:33,875 But I don't know. 300 00:18:34,750 --> 00:18:36,416 [in an interested tone] Hmm. 301 00:18:37,125 --> 00:18:40,125 I don't know. Is it still good... 302 00:18:40,291 --> 00:18:41,666 current? 303 00:18:41,833 --> 00:18:44,416 A big woman's penis, like that? 304 00:18:44,750 --> 00:18:46,500 [in an uncertain tone] Hmm? 305 00:18:46,666 --> 00:18:48,500 [chewing sounds] 306 00:18:50,750 --> 00:18:51,916 Excuse me. 307 00:18:52,083 --> 00:18:54,208 Can we have something to drink? 308 00:18:54,375 --> 00:18:56,708 I don't know if it's still... Thank you. 309 00:18:56,875 --> 00:18:59,500 Me, I say to myself why not the female sex? 310 00:18:59,666 --> 00:19:01,875 Look at Mapplethorpe's yards. 311 00:19:02,041 --> 00:19:03,041 Yes ! 312 00:19:03,208 --> 00:19:06,458 The yards. Well, this man... loved cock. 313 00:19:07,541 --> 00:19:10,041 So what? I like cock too, okay. 314 00:19:10,208 --> 00:19:12,708 And why not the vulvas? 315 00:19:12,875 --> 00:19:15,125 Really, why not vulvas? 316 00:19:15,291 --> 00:19:16,375 Yes. 317 00:19:17,291 --> 00:19:18,625 What's wrong with that? 318 00:19:18,791 --> 00:19:22,166 Nothing. Oh, absolutely nothing, no. So, no, not at all. 319 00:19:22,333 --> 00:19:24,833 Do you know it's mine? 320 00:19:27,333 --> 00:19:28,291 Oh. 321 00:19:30,083 --> 00:19:32,625 It's well painted. There is volume. 322 00:19:33,750 --> 00:19:35,000 I'm kidding. 323 00:19:35,166 --> 00:19:36,541 Oh ! 324 00:19:37,166 --> 00:19:38,541 You got me! 325 00:19:38,916 --> 00:19:41,875 At the same time, I suspected it a little. 326 00:19:42,041 --> 00:19:43,666 You are blonde and... 327 00:19:43,833 --> 00:19:46,625 this one is... is very hairy. 328 00:19:46,791 --> 00:19:49,500 It's probably someone black hair. 329 00:19:49,666 --> 00:19:51,083 Darker, that is. 330 00:19:51,250 --> 00:19:54,083 We're not going to talk about Macha all evening? 331 00:19:54,250 --> 00:19:55,833 No, no. 332 00:19:56,000 --> 00:19:58,000 So. Excuse me. 333 00:19:59,625 --> 00:20:01,458 I didn't introduce myself. 334 00:20:01,625 --> 00:20:04,083 - Jean-Yves Machond. - I know, 335 00:20:04,250 --> 00:20:05,875 [she whispers] I recognized you. 336 00:20:06,041 --> 00:20:08,291 Ah good ? Oh, damn! 337 00:20:08,458 --> 00:20:11,166 Imagine that I was rereading an article about you 338 00:20:11,333 --> 00:20:12,875 in the Artung magazine. 339 00:20:13,041 --> 00:20:15,708 Wait...Artung... Oh, yes! But this... 340 00:20:15,875 --> 00:20:17,041 It's a bit dated. 341 00:20:17,208 --> 00:20:19,541 Yes, it was dragging in my toilet. 342 00:20:19,708 --> 00:20:21,375 - [Cécile laughs] - Oh good? 343 00:20:21,541 --> 00:20:22,666 I learned 344 00:20:22,833 --> 00:20:24,791 by the local press, Bagnoule, 345 00:20:24,958 --> 00:20:27,208 you move in in Mers-les-Bains. 346 00:20:27,750 --> 00:20:29,083 That's correct. 347 00:20:29,250 --> 00:20:30,625 And he told me... 348 00:20:30,791 --> 00:20:33,166 Oh yes: “Leave everything behind to recharge your batteries 349 00:20:33,333 --> 00:20:35,833 and find meaning." That's it, huh? 350 00:20:36,000 --> 00:20:39,000 It's a little faded like storytelling, right? 351 00:20:39,166 --> 00:20:41,000 [weak voice] Yes, yes. 352 00:20:41,166 --> 00:20:43,375 No but, to be honest... 353 00:20:43,541 --> 00:20:46,125 Uh... How would I say? I... 354 00:20:46,291 --> 00:20:48,916 I came here to do tabula rasa, that's it. 355 00:20:49,083 --> 00:20:51,500 I abandoned the conceptual conceptual. 356 00:20:51,666 --> 00:20:54,333 Finally, while remaining in the conceptual, eh. 357 00:20:54,500 --> 00:20:58,125 But I ask myself questions on the pattern. But I refuse it. 358 00:20:58,291 --> 00:21:00,208 I'm getting back to painting. 359 00:21:00,375 --> 00:21:03,083 At your age? You are completely crazy. 360 00:21:03,250 --> 00:21:04,333 Why? 361 00:21:05,500 --> 00:21:07,708 I'm kidding! It was a joke. 362 00:21:07,875 --> 00:21:09,291 How serious! 363 00:21:09,458 --> 00:21:11,416 Eh ? You are serious! 364 00:21:11,583 --> 00:21:14,625 Think again! I love joke. I love laughter! 365 00:21:14,791 --> 00:21:17,000 You know, in great apes... 366 00:21:17,166 --> 00:21:19,750 Please. I heard it a thousand times that one. 367 00:21:19,916 --> 00:21:21,875 No Rilke quotes tonight. 368 00:21:22,041 --> 00:21:24,041 Please spare me. 369 00:21:24,500 --> 00:21:25,750 Yes of course. 370 00:21:25,916 --> 00:21:29,416 In any case, it's exciting. Fascinating, Jean-Yves. 371 00:21:29,583 --> 00:21:32,583 You need to explain it to me again all this, but slowly. 372 00:21:32,750 --> 00:21:34,791 - My pleasure. - Very slowly. 373 00:21:35,416 --> 00:21:37,291 Of course. 374 00:21:44,875 --> 00:21:48,000 I won't hide the fact that it arouses a lot of interest, 375 00:21:48,166 --> 00:21:50,875 but she is still free to acquire. 376 00:21:51,041 --> 00:21:53,166 So after, you have to position yourself... 377 00:21:53,333 --> 00:21:54,375 Hello. 378 00:21:56,208 --> 00:21:57,208 Cuckoo. 379 00:21:57,750 --> 00:21:59,583 - Excuse me. - One moment. 380 00:21:59,750 --> 00:22:01,333 Cécile, I thought... 381 00:22:01,500 --> 00:22:03,708 If you want to see some work, 382 00:22:03,875 --> 00:22:06,541 I have drafts of drafts in my car. 383 00:22:06,708 --> 00:22:09,291 Yes. Another moment, I'm busy, 384 00:22:09,458 --> 00:22:10,833 but with pleasure. 385 00:22:12,541 --> 00:22:16,458 Oh ! I never business cards on me, but... 386 00:22:16,625 --> 00:22:19,833 Perfect. Extraordinary, here is one. It's my landline. 387 00:22:20,000 --> 00:22:22,916 Are you giving this to my assistant? Laëtitia? 388 00:22:23,750 --> 00:22:25,500 There she is, waiting for you. 389 00:22:25,666 --> 00:22:28,041 Excuse me. Who is your assistant? 390 00:22:28,208 --> 00:22:31,166 - Laëtitia, who is there. - Oh yes... I know her. 391 00:22:32,375 --> 00:22:34,375 The GAFA business, it's more than 392 00:22:34,541 --> 00:22:36,666 of mail order sales. 393 00:22:36,833 --> 00:22:38,708 These people generate the virtual. 394 00:22:38,875 --> 00:22:40,625 Ah, you are there! 395 00:22:40,791 --> 00:22:42,250 I was looking for you! 396 00:22:42,416 --> 00:22:44,291 Oh, Masha, dearest friend! 397 00:22:44,458 --> 00:22:47,125 What's wrong with you? You are crazy! Oh ! 398 00:22:47,291 --> 00:22:49,291 [the man continues his monologue] 399 00:22:49,458 --> 00:22:50,958 - A misunderstanding. - Oh yes ! 400 00:22:51,125 --> 00:22:53,291 I thought that she was talking to me, I... 401 00:22:53,458 --> 00:22:56,791 For a conceptual one, you are funny. Really, well done. 402 00:22:56,958 --> 00:22:58,916 I will introduce you my husband. 403 00:22:59,083 --> 00:23:01,375 - You are data, I am data... - Claudius. 404 00:23:01,541 --> 00:23:03,750 This is Jean-Yves Machond, an artist. 405 00:23:03,916 --> 00:23:05,583 Hello, nice to see you. 406 00:23:05,750 --> 00:23:07,875 My husband, Doctor Claude Fouasse. 407 00:23:08,041 --> 00:23:11,125 - We're all data people! - I'll let you get to know each other. 408 00:23:11,291 --> 00:23:14,291 What is Amazon? 99% of their figure, 409 00:23:14,458 --> 00:23:16,416 It’s data! - It's terrible. 410 00:23:16,583 --> 00:23:17,666 That's enough! 411 00:23:17,833 --> 00:23:19,041 Stop! Stop. 412 00:23:19,208 --> 00:23:20,625 I take it. 413 00:23:20,791 --> 00:23:23,500 For what ? Because I invested in bitcoin. 414 00:23:23,666 --> 00:23:26,166 I have more cash on me! 415 00:23:26,333 --> 00:23:28,333 [interlocking music] 416 00:23:28,500 --> 00:23:31,250 I would love to visit your workshop, Jean-Yves. 417 00:23:31,416 --> 00:23:33,625 Are you showing your workshop? 418 00:23:33,791 --> 00:23:35,666 By appointment only. 419 00:23:35,833 --> 00:23:39,083 The Chinese have understood everything! I'm not even talking about Hong Kong. 420 00:23:39,250 --> 00:23:41,125 Are low masses okay here? 421 00:23:41,291 --> 00:23:43,875 Jean-Yves offers me to visit his workshop. 422 00:23:44,041 --> 00:23:46,541 No way ! No way. It is... 423 00:23:46,708 --> 00:23:48,625 Oh ! No way ? 424 00:23:49,041 --> 00:23:51,083 - Ah, I know these things. - Non. 425 00:23:51,250 --> 00:23:53,625 Workshop visits, I know. 426 00:23:53,791 --> 00:23:55,875 You want to visit her panties? 427 00:23:56,041 --> 00:23:57,875 Pilou, stop. You're heavy! 428 00:23:58,041 --> 00:24:00,083 [seagulls sing] 429 00:24:00,250 --> 00:24:02,791 - What, isn't that funny? - Non. 430 00:24:02,958 --> 00:24:05,125 Wasn't that funny? 431 00:24:05,291 --> 00:24:06,416 - Yes. - Non ! 432 00:24:06,583 --> 00:24:07,541 Non. 433 00:24:08,125 --> 00:24:09,750 Yes, it was funny. 434 00:24:10,625 --> 00:24:12,291 Okay, come on, it's okay. 435 00:24:12,458 --> 00:24:14,791 Anyway, Here, I'm bored. 436 00:24:15,875 --> 00:24:18,333 You shouldn't pay attention to him. He is... 437 00:24:18,500 --> 00:24:21,791 Yes, I know. Alcohol is tragic sometimes. 438 00:24:21,958 --> 00:24:23,583 You don't drink? 439 00:24:24,500 --> 00:24:26,458 - I measure. - That doesn't surprise me. 440 00:24:26,625 --> 00:24:28,416 We have a little pot at home 441 00:24:28,583 --> 00:24:30,833 with Masha and others, what do you think? 442 00:24:31,625 --> 00:24:32,916 My pleasure. 443 00:24:33,083 --> 00:24:35,333 - So let's go. - will he be there? 444 00:24:35,500 --> 00:24:37,541 Well yes, it’s his place. 445 00:24:38,500 --> 00:24:40,291 Come on, damn it! 446 00:24:41,416 --> 00:24:42,375 Come on ! 447 00:24:42,541 --> 00:24:45,041 This idiot is stuck in my ass. 448 00:24:45,208 --> 00:24:47,458 On the disabled place too! 449 00:24:47,625 --> 00:24:49,375 Look at this, it’s crazy! 450 00:24:49,541 --> 00:24:51,500 We're among the crazy here. 451 00:24:51,666 --> 00:24:53,541 Did you come by car? 452 00:24:53,708 --> 00:24:55,208 Um... no. Oh, yes. 453 00:24:55,375 --> 00:24:57,458 I am parked a little further. 454 00:24:57,625 --> 00:25:01,458 Come up with us. To return, we will order you a taxi. 455 00:25:02,833 --> 00:25:04,375 Okay, okay. 456 00:25:06,375 --> 00:25:09,000 Do you want me to help you for the maneuver? 457 00:25:09,166 --> 00:25:10,375 - No. - No ? 458 00:25:12,083 --> 00:25:14,125 You're going to see what you're going to see. 459 00:25:15,458 --> 00:25:18,583 Damn! Why is he going to stick there? 460 00:25:18,750 --> 00:25:21,125 He will take the trailer hitch in... 461 00:25:21,291 --> 00:25:22,916 Be careful because... 462 00:25:23,083 --> 00:25:25,166 - You hit it! - No, take care of yourself. 463 00:25:25,333 --> 00:25:27,000 There's only one pilot. 464 00:25:28,750 --> 00:25:30,500 Damn, say! 465 00:25:30,666 --> 00:25:32,416 You stuck together, Pilou! 466 00:25:32,583 --> 00:25:34,875 Me stuck? I'm not stuck! 467 00:25:35,041 --> 00:25:37,250 It's the other one in front who cornered you. 468 00:25:37,416 --> 00:25:39,833 No. You're confusing things there. 469 00:25:40,000 --> 00:25:41,875 You touched her again. 470 00:25:42,458 --> 00:25:45,291 [Machond] It's a car collectible, all the same. 471 00:25:45,458 --> 00:25:47,958 [Claude] Oh yeah? We'll take care of her then. 472 00:25:48,875 --> 00:25:50,625 What are you doing ? 473 00:25:50,791 --> 00:25:52,375 - Meccaton. - Machond! 474 00:25:52,541 --> 00:25:54,375 You're going to do me a favor. 475 00:25:54,541 --> 00:25:57,333 I'm going to move forward slowly... Roll down your window! 476 00:25:57,500 --> 00:25:59,375 Do it directly. GOOD. 477 00:25:59,541 --> 00:26:02,875 We're going to pass by the car, you're going to grab his retro. 478 00:26:03,041 --> 00:26:04,208 Go ahead, go ahead! 479 00:26:04,375 --> 00:26:06,500 Rip it off! Ah, you get it! 480 00:26:06,666 --> 00:26:08,500 - [Machond groans] - Do you have it? 481 00:26:08,666 --> 00:26:11,583 [hectic music] 482 00:26:12,750 --> 00:26:14,875 Pilou, frankly... 483 00:26:18,541 --> 00:26:20,541 Pilou, stop a little, you don't want to? 484 00:26:20,708 --> 00:26:24,000 Leave me alone, eh. Mind your own business. 485 00:26:27,625 --> 00:26:30,791 I'm a little surprised, because I was praised for... 486 00:26:30,958 --> 00:26:33,125 the comfort of German sedans, 487 00:26:33,291 --> 00:26:35,541 but here I find that the upholstery, 488 00:26:35,708 --> 00:26:38,750 finally, the seat is a little dry. Don't you think so? 489 00:26:38,916 --> 00:26:41,333 Look what he did to me your artist there! 490 00:26:41,500 --> 00:26:43,208 - Pardon ? - Well done ! Great ! 491 00:26:43,375 --> 00:26:45,666 He sat down on the crust of Macha. 492 00:26:45,833 --> 00:26:47,541 - What ? - Well yes, look. 493 00:26:47,708 --> 00:26:49,500 Oh no, Jean-Yves... 494 00:26:49,666 --> 00:26:51,833 - I'm sorry. - Give it to me. 495 00:26:52,000 --> 00:26:54,958 - Shit, shit... - Oh, I'm sorry. 496 00:26:55,458 --> 00:26:58,208 What is this guy, damn. 497 00:26:58,375 --> 00:27:00,708 What... Pilou but finally! 498 00:27:01,458 --> 00:27:03,250 It's blasphemy. 499 00:27:05,458 --> 00:27:08,041 Furthermore, I think that it was not dry. 500 00:27:08,208 --> 00:27:11,625 Maybe we could stop because I think I... 501 00:27:11,791 --> 00:27:13,791 Can you not sit down 502 00:27:13,958 --> 00:27:16,333 because if there is paint on the seats, 503 00:27:16,500 --> 00:27:20,041 we will hear about it until Christmas. His car is... 504 00:27:20,208 --> 00:27:22,208 There you go. I'm going to stand like this. 505 00:27:22,375 --> 00:27:24,583 - In suspension, that's it. - So. 506 00:27:25,166 --> 00:27:27,000 You can't drive. 507 00:27:27,166 --> 00:27:29,166 Madame will have to take the wheel. 508 00:27:29,333 --> 00:27:31,666 It's you who is full as a sausage. 509 00:27:31,833 --> 00:27:33,791 No, you are. 510 00:27:33,958 --> 00:27:35,708 Madam, did you hear? 511 00:27:35,875 --> 00:27:38,625 - I don't drive. - Don't drive. 512 00:27:38,791 --> 00:27:40,750 I have the right. Is it allowed? 513 00:27:40,916 --> 00:27:42,750 I would like to go home. 514 00:27:42,916 --> 00:27:45,333 - Father, perhaps? - Pardon ? 515 00:27:45,500 --> 00:27:47,166 - Have you been drinking? - No. 516 00:27:47,333 --> 00:27:49,750 Um... A little cocktail. A Blue from the sky. 517 00:27:49,916 --> 00:27:51,083 It's small. 518 00:27:51,250 --> 00:27:53,416 Father, come down. 519 00:27:53,583 --> 00:27:54,958 You too. 520 00:27:55,125 --> 00:27:56,708 I am not an abbot. 521 00:27:56,875 --> 00:27:58,750 And he says he hasn't been drinking... 522 00:27:58,916 --> 00:28:00,916 - Come over here. - Yes. 523 00:28:01,083 --> 00:28:03,125 - Curaçao... - Come out, doctor. 524 00:28:03,291 --> 00:28:06,083 - Blow continuously. - [he blows a breath] 525 00:28:06,250 --> 00:28:08,291 - No, continue. - [he blows a breath] 526 00:28:08,458 --> 00:28:11,208 - Go on. - [he blows in short bursts] 527 00:28:11,375 --> 00:28:13,583 - Please. - Sorry, sir. 528 00:28:13,750 --> 00:28:15,583 [he blows continuously] 529 00:28:15,750 --> 00:28:17,458 Again, again, again. 530 00:28:17,625 --> 00:28:19,083 It's okay, thank you. 531 00:28:20,625 --> 00:28:22,000 It is negative. 532 00:28:22,583 --> 00:28:24,666 It's okay, you can go. 533 00:28:24,833 --> 00:28:26,500 - THANKS. - Shall we go there? 534 00:28:26,666 --> 00:28:28,375 - Oh ! - Yes, I'm coming... 535 00:28:28,541 --> 00:28:30,166 Sorry, Cécile. 536 00:28:32,333 --> 00:28:35,583 [film theme, rhythmic and soothing] 537 00:28:41,625 --> 00:28:44,166 [anime music a party in a house] 538 00:28:49,291 --> 00:28:50,541 Ooh there. 539 00:28:51,583 --> 00:28:53,291 [someone snores] 540 00:28:57,125 --> 00:28:59,958 Well done, Jean-Yves. You performed like a boss. 541 00:29:01,458 --> 00:29:04,333 - How do I thank you? - Oh, I'm not looking... 542 00:29:04,500 --> 00:29:06,291 I don't want to see the others. 543 00:29:06,458 --> 00:29:08,791 Come on, let's go to my room. 544 00:29:08,958 --> 00:29:11,458 - Your room? - Hmm? 545 00:29:11,625 --> 00:29:13,333 But willingly. 546 00:29:16,000 --> 00:29:18,000 - Come in. - Oh. 547 00:29:19,708 --> 00:29:21,625 [Machond is admiring] 548 00:29:24,166 --> 00:29:25,583 Nice space. 549 00:29:26,416 --> 00:29:29,833 On the other hand, it doesn't bother you to take off your pants? 550 00:29:30,000 --> 00:29:32,750 With painting, you're going to ruin everything for me. 551 00:29:32,916 --> 00:29:33,916 Yes. 552 00:29:34,458 --> 00:29:35,833 [Machond hesitates] 553 00:29:37,000 --> 00:29:38,041 Here? 554 00:29:38,750 --> 00:29:39,833 Yes. 555 00:29:40,250 --> 00:29:41,875 Doesn't that bother you? 556 00:29:42,041 --> 00:29:43,125 No. 557 00:29:43,291 --> 00:29:44,791 I can lend you 558 00:29:44,958 --> 00:29:47,166 Claude's pants, if you want. 559 00:29:47,333 --> 00:29:48,458 No. 560 00:29:53,791 --> 00:29:54,750 Oh ! 561 00:29:56,208 --> 00:29:57,708 A little bit of Macha. 562 00:29:59,666 --> 00:30:02,916 - [dramatic music] - [the man speaks an Asian language] 563 00:30:14,750 --> 00:30:17,208 [Cécile] You know that I loved your empty rooms. 564 00:30:17,375 --> 00:30:18,333 [Machond] Oh good? 565 00:30:18,416 --> 00:30:20,958 [Cécile] But I assure you. Of all the voids, 566 00:30:21,125 --> 00:30:23,750 it was the emptiest void. - [video continues] 567 00:30:23,916 --> 00:30:25,666 - [his head bangs] - Be careful. 568 00:30:25,833 --> 00:30:29,833 The first time I approached and exposed an empty room, 569 00:30:30,000 --> 00:30:32,166 for me it was the pinnacle of art. 570 00:30:32,333 --> 00:30:36,666 Not just conceptual art, the pinnacle of art in short. 571 00:30:36,833 --> 00:30:38,791 I wanted people 572 00:30:38,958 --> 00:30:41,750 when they come home in this empty room, 573 00:30:41,916 --> 00:30:45,791 that they want to be free, free to see what they wanted. 574 00:30:45,958 --> 00:30:47,833 That's what I wanted to do. 575 00:30:48,000 --> 00:30:50,291 I almost bought you an empty room. 576 00:30:50,458 --> 00:30:53,458 - Ah good ? - Oh yes ! But Claude didn't want to. 577 00:30:53,625 --> 00:30:55,791 We don't understand each other at all, him and me. 578 00:30:55,958 --> 00:30:57,458 Mmh... Pilou! 579 00:30:57,625 --> 00:31:00,416 It's a shame since you have a beautiful home. 580 00:31:00,583 --> 00:31:03,500 I would have seen a nice big empty room here. 581 00:31:05,375 --> 00:31:07,333 What a big fool you are! 582 00:31:08,000 --> 00:31:11,000 It's true I am a bit fanciful, but crazy... 583 00:31:12,125 --> 00:31:13,833 [Cécile laughs softly] 584 00:31:17,375 --> 00:31:19,083 Shall we smoke a joint? 585 00:31:20,708 --> 00:31:23,083 A joint? Well, why not? 586 00:31:23,250 --> 00:31:25,916 I have a question to ask you, Jean-Yves. 587 00:31:26,083 --> 00:31:28,166 - Hmm? - You think I will 588 00:31:28,333 --> 00:31:29,875 sleep with you? 589 00:31:30,041 --> 00:31:32,958 [faint voice] What an idea! Of course not. 590 00:31:33,125 --> 00:31:34,875 I had the impression 591 00:31:35,041 --> 00:31:36,541 that you think about it. 592 00:31:36,708 --> 00:31:39,750 What an idea, no. Finally, I'm not a beast, Cécile. 593 00:31:39,916 --> 00:31:41,083 No way ? 594 00:31:41,250 --> 00:31:43,666 Because there, you are going to offend me. 595 00:31:46,750 --> 00:31:49,458 - You're playing with me. - [Cécile chuckles] 596 00:31:52,208 --> 00:31:54,208 Are you single? 597 00:31:55,083 --> 00:31:56,416 Um, yes. 598 00:31:56,583 --> 00:31:58,333 Not married, no children? 599 00:31:58,500 --> 00:32:00,958 You are straight, cisgender, binary, right? 600 00:32:01,458 --> 00:32:02,833 Yes, unfortunately. 601 00:32:03,333 --> 00:32:04,708 Yes, I was married. 602 00:32:04,875 --> 00:32:07,500 Divorce. I have a child, but I don't see him anymore. 603 00:32:07,666 --> 00:32:09,083 Oh no, please. 604 00:32:09,250 --> 00:32:11,166 Not the sadness. 605 00:32:11,833 --> 00:32:14,791 Again. Spare me. 606 00:32:14,958 --> 00:32:16,250 [he whispers] Okay. 607 00:32:17,041 --> 00:32:19,875 I find that we we look alike, Jean-Yves. 608 00:32:20,208 --> 00:32:22,375 I want us to be friends. 609 00:32:22,541 --> 00:32:24,958 Forgive me. I didn't expect it. 610 00:32:25,125 --> 00:32:27,958 - It's extremely strong. - But it's okay. 611 00:32:28,125 --> 00:32:29,250 It's good. 612 00:32:29,416 --> 00:32:31,833 We mustn't go too fast. 613 00:32:40,250 --> 00:32:42,333 [Cécile's breath trembles] 614 00:32:43,458 --> 00:32:46,000 - Cecile? - [Cécile takes a deep breath] 615 00:32:46,166 --> 00:32:48,000 Isn't that okay? 616 00:32:48,166 --> 00:32:51,000 No but that's not it, you don't have to be careful, 617 00:32:51,166 --> 00:32:52,750 I'm too emotional. 618 00:32:53,708 --> 00:32:56,125 It's true that things get a little jostled. 619 00:32:56,291 --> 00:32:57,958 [Cécile exhales] 620 00:32:59,333 --> 00:33:01,291 I'm shit, Jean-Yves. 621 00:33:02,833 --> 00:33:04,791 - A piece of shit? No way. - Yes. 622 00:33:04,958 --> 00:33:08,375 Oh dear, it's the drug that makes it say that. No way. 623 00:33:08,541 --> 00:33:11,083 You are... How can I say... 624 00:33:11,250 --> 00:33:13,250 You are wonderful. 625 00:33:14,833 --> 00:33:17,000 Pass me the joint, Jean-Yves. 626 00:33:18,958 --> 00:33:21,166 [she whispers] The joint, pass it to me. 627 00:33:21,333 --> 00:33:22,875 In your hand. 628 00:33:23,750 --> 00:33:25,250 [he whispers] Do you hear me? 629 00:33:25,416 --> 00:33:27,708 You are an exceptional woman. 630 00:33:29,375 --> 00:33:31,458 [Cécile moans] Stop, Jean-Yves, 631 00:33:31,625 --> 00:33:34,875 do you want it? Stop because... 632 00:33:35,041 --> 00:33:37,250 I opened a second gallery. 633 00:33:37,416 --> 00:33:41,166 Yes, I recovered of the large halls in Honfleur. 634 00:33:41,333 --> 00:33:45,166 It's a beautiful place, It's magical. It's huge. 635 00:33:45,333 --> 00:33:48,125 I would like you to accompany me. And then... 636 00:33:48,291 --> 00:33:49,500 it's empty! 637 00:33:50,333 --> 00:33:51,875 All right. 638 00:33:52,041 --> 00:33:54,708 You could advise me. And maybe 639 00:33:54,875 --> 00:33:57,166 that there, you could jump me. 640 00:33:57,916 --> 00:34:00,625 - [sea surf] - With pleasure. 641 00:34:00,791 --> 00:34:02,708 No ! What am I saying? 642 00:34:02,875 --> 00:34:04,708 With pleasure to help you. 643 00:34:04,875 --> 00:34:07,333 Obviously, Claude opposes the project. 644 00:34:07,500 --> 00:34:09,708 - Oh Claude? Pilou? - As luck would have it. 645 00:34:09,875 --> 00:34:13,666 We don't have the same tastes. He is down to earth. He doesn't understand me. 646 00:34:13,833 --> 00:34:17,125 His thing in painting is boats returning to port. 647 00:34:21,791 --> 00:34:24,250 [in an intense tone] You know, Cécile, 648 00:34:24,416 --> 00:34:26,416 I am a whole man, me. 649 00:34:26,583 --> 00:34:28,125 And I have the impression 650 00:34:28,291 --> 00:34:30,875 that you and me, it's like love at first sight. 651 00:34:31,041 --> 00:34:34,208 - It happens to people... - Mmh... 652 00:34:34,375 --> 00:34:36,625 open to all the possibilities. 653 00:34:36,791 --> 00:34:40,333 I think it is better that you leave before you ruin everything. 654 00:34:40,500 --> 00:34:42,833 Oh dear... Back off 655 00:34:43,000 --> 00:34:45,500 [like a child] ugly mouth. 656 00:34:46,000 --> 00:34:47,666 Oh, how naughty she is! 657 00:34:47,833 --> 00:34:50,041 Sorry, I don't know what got into me. 658 00:34:50,625 --> 00:34:53,541 - I thought for a moment that you... - Well no. 659 00:34:53,708 --> 00:34:54,833 All right. 660 00:34:55,000 --> 00:34:56,416 I don't want to. 661 00:34:58,125 --> 00:35:00,416 Excuse me, I don't know... 662 00:35:00,583 --> 00:35:02,541 I behaved like a... 663 00:35:02,708 --> 00:35:05,083 Ah, phone! Wow, where is it? 664 00:35:05,500 --> 00:35:06,583 Cecile. 665 00:35:06,750 --> 00:35:07,958 Ah, he's here! 666 00:35:09,125 --> 00:35:10,333 Ah! 667 00:35:10,500 --> 00:35:11,916 Harold! 668 00:35:12,083 --> 00:35:13,750 Where are you, big bad guy? 669 00:35:13,916 --> 00:35:15,291 [Cécile exclaims] 670 00:35:15,458 --> 00:35:18,250 Wait, speak louder. What did you take? 671 00:35:18,583 --> 00:35:19,625 I'm going there. 672 00:35:19,791 --> 00:35:20,875 [she whispers] Yes. 673 00:35:20,958 --> 00:35:22,666 Well, I'll be there then. 674 00:35:24,958 --> 00:35:27,041 What are you doing here? 675 00:35:28,416 --> 00:35:29,625 Nothing. 676 00:35:32,750 --> 00:35:34,500 [birds chirp] 677 00:35:37,375 --> 00:35:39,791 [car alarm sounds] 678 00:35:52,625 --> 00:35:55,583 - [a crow croaks] - [sea surf in the distance] 679 00:36:09,166 --> 00:36:12,000 [soft music] 680 00:36:31,833 --> 00:36:34,541 [seagulls sing] 681 00:37:16,333 --> 00:37:19,625 [stringed instrument note] 682 00:37:21,875 --> 00:37:24,625 [notes are played on the keyboard] 683 00:37:29,500 --> 00:37:33,375 [Machond sings approximately, voice weak and broken] 684 00:37:40,541 --> 00:37:42,958 [Machond strains his voice and growls] 685 00:37:43,125 --> 00:37:46,708 Jean-Yves Machond, I believed you visual artist, not musician. 686 00:37:48,125 --> 00:37:50,833 [Machond plays intimate music] 687 00:37:51,000 --> 00:37:53,250 We are all a bit musical. 688 00:37:53,416 --> 00:37:56,583 Simply, I think that ignorance in something 689 00:37:56,750 --> 00:37:59,291 offers many opportunities. 690 00:37:59,458 --> 00:38:03,708 [Machond hums approximately] 691 00:38:03,875 --> 00:38:08,166 [with intensity] ♪Mother! Motherrr! ♪ 692 00:38:08,333 --> 00:38:11,791 [he pushes on his broken voice] ♪Mother! ♪ 693 00:38:11,958 --> 00:38:14,750 Do you mean that in music like in painting, 694 00:38:14,916 --> 00:38:17,083 would you be like the bird sings? 695 00:38:17,250 --> 00:38:19,458 You quote Messiaen! You amuse me. 696 00:38:19,625 --> 00:38:21,875 [a phone rings] 697 00:38:22,041 --> 00:38:23,583 Excuse me. 698 00:38:23,750 --> 00:38:25,666 Yes, hello? Jean-Yves Machond. 699 00:38:25,833 --> 00:38:27,458 [Cécile] Jean-Yves, it's me. 700 00:38:27,625 --> 00:38:30,958 - Cecile! How are you ? - I'm so ashamed about last night. 701 00:38:31,125 --> 00:38:33,916 How did you do it? All alone ? Bare ass? 702 00:38:34,083 --> 00:38:36,166 I just want my pants. 703 00:38:36,333 --> 00:38:38,208 I am below everything. 704 00:38:38,375 --> 00:38:41,166 I could have at least offered you something... 705 00:38:41,333 --> 00:38:44,333 A drink, a soup, a waffle, a sandwich... 706 00:38:44,500 --> 00:38:46,500 It doesn't matter... 707 00:38:46,666 --> 00:38:48,250 Or even a blowjob? 708 00:38:49,208 --> 00:38:51,625 - A ? Excuse me, I... - No, a blowjob. 709 00:38:51,791 --> 00:38:52,958 No, I don't... 710 00:38:53,125 --> 00:38:55,458 I am a flame woman, you know. 711 00:38:55,625 --> 00:38:57,458 - A ? - Flame. 712 00:38:57,625 --> 00:38:59,666 - A flame woman! - Oh ! 713 00:38:59,833 --> 00:39:02,583 - Well come on, I kiss you. - I too... 714 00:39:02,750 --> 00:39:05,125 - [phone tone] - Hello? 715 00:39:05,291 --> 00:39:07,958 Cecile? Hello-hello? 716 00:39:09,041 --> 00:39:10,166 Oh... 717 00:39:16,333 --> 00:39:17,666 [Masha] Same color 718 00:39:17,833 --> 00:39:21,500 applied by two different hands will give two different tones. 719 00:39:21,666 --> 00:39:23,750 Because every painter creates your medium 720 00:39:23,916 --> 00:39:25,875 as his work progresses. 721 00:39:26,041 --> 00:39:28,666 Renoir said: "This is what gives the painting 722 00:39:28,833 --> 00:39:31,416 "this hesitation, this fragility 723 00:39:31,583 --> 00:39:33,583 “which is so crucial to him.” 724 00:39:37,125 --> 00:39:38,750 Are you an artist? 725 00:39:38,916 --> 00:39:41,208 What a strange question, Masha. 726 00:39:41,375 --> 00:39:44,166 We are all artists, no? 727 00:39:44,333 --> 00:39:47,083 Another stupid question, you will tell me: 728 00:39:47,583 --> 00:39:49,125 what is it? 729 00:39:49,291 --> 00:39:51,083 It's expressiveness. 730 00:39:51,250 --> 00:39:53,083 - Oh yes, yes... - Yes! 731 00:39:53,250 --> 00:39:55,625 For me, It's a hedgehog, eh? 732 00:39:55,791 --> 00:39:57,583 [Masha chuckles] 733 00:39:59,833 --> 00:40:01,250 So... 734 00:40:01,625 --> 00:40:03,916 [Bagnoule] What were you teaching your students? 735 00:40:04,083 --> 00:40:05,500 What were you a teacher of? 736 00:40:05,666 --> 00:40:08,791 I helped them climb grant files. 737 00:40:08,958 --> 00:40:10,541 The most important. 738 00:40:10,708 --> 00:40:12,958 Tell me, what do you see? 739 00:40:13,125 --> 00:40:14,166 Uh... 740 00:40:14,333 --> 00:40:16,333 A hedgehog. No ? 741 00:40:16,958 --> 00:40:18,625 - Yes. - Well yes. 742 00:40:18,791 --> 00:40:19,791 Well seen. 743 00:40:20,416 --> 00:40:22,625 [Masha advises other students] 744 00:40:26,041 --> 00:40:27,666 [Machond] It was very inspiring, 745 00:40:27,833 --> 00:40:28,791 thank you! 746 00:40:28,958 --> 00:40:30,958 Please, whenever you want. 747 00:40:32,041 --> 00:40:34,916 - Ooh there! - [Machond grumbles] 748 00:40:35,083 --> 00:40:37,541 It's raining every two hours here! 749 00:40:37,708 --> 00:40:40,875 Listen, you're going to wait two minutes before going there. 750 00:40:41,041 --> 00:40:42,750 - Do you think so? - Oh well yes. 751 00:40:42,916 --> 00:40:45,125 I love painting when it rains. 752 00:40:45,291 --> 00:40:47,958 I find that there is nothing more comforting, eh? 753 00:40:48,125 --> 00:40:49,416 Ah good ? 754 00:40:50,375 --> 00:40:52,583 Why did you stop the conceptual? 755 00:40:52,750 --> 00:40:55,583 [hesitating] I never stopped conceptualizing. 756 00:40:55,750 --> 00:40:59,375 Yes I know. But finally... You had a reputation, I was told. 757 00:40:59,541 --> 00:41:02,708 And overnight, you exposed more... 758 00:41:03,375 --> 00:41:04,750 Why? 759 00:41:05,958 --> 00:41:07,708 Such is life, Bagnoule. 760 00:41:07,875 --> 00:41:10,416 I had a separation a little difficult. 761 00:41:11,250 --> 00:41:12,958 Do you know I have a child? 762 00:41:13,125 --> 00:41:15,083 - Ah good ? - Yes, a little girl. 763 00:41:15,250 --> 00:41:18,125 Finally, little one, she must to be big now... 764 00:41:18,291 --> 00:41:21,250 One day my wife left. She took it away from me. 765 00:41:21,416 --> 00:41:23,041 She went to China. 766 00:41:23,208 --> 00:41:26,333 At the time, I worked on emptiness. 767 00:41:26,500 --> 00:41:28,666 The void, I can tell you, I experienced it. 768 00:41:28,833 --> 00:41:31,125 - We all knew him. - I'm going, too bad. 769 00:41:31,291 --> 00:41:33,000 Wet for wet... 770 00:41:33,166 --> 00:41:34,916 Thanks, eh, Bagnoule! 771 00:41:35,083 --> 00:41:37,625 [soft music] 772 00:41:37,791 --> 00:41:41,666 [he sighs] Damn. What crappy weather. 773 00:41:46,500 --> 00:41:48,750 [in English] Cécile Fouasse-Demauprès, 774 00:41:48,916 --> 00:41:50,416 leave a message. 775 00:41:50,583 --> 00:41:51,625 Cecile. 776 00:41:52,541 --> 00:41:54,166 It's Jean-Yves. 777 00:41:54,666 --> 00:41:57,708 It's been three days that I'm trying to call you. 778 00:41:57,875 --> 00:41:59,416 But radio silence. 779 00:41:59,583 --> 00:42:03,375 So, I decide to leave you a message. 780 00:42:03,541 --> 00:42:06,833 Listen, I need to talk to you. 781 00:42:07,000 --> 00:42:09,500 I... How can I tell you, I... 782 00:42:09,666 --> 00:42:12,125 [he gets angry] Through the door or through the window, 783 00:42:12,291 --> 00:42:13,791 It has to happen! 784 00:42:13,958 --> 00:42:15,958 [he softens and stutters] 785 00:42:16,125 --> 00:42:18,875 Oh. Excuse me, I got carried away. I... 786 00:42:20,083 --> 00:42:22,125 No. No... 787 00:42:22,750 --> 00:42:24,916 No, no, no! 788 00:42:25,083 --> 00:42:27,625 - [a door opens] - [keys jingle] 789 00:42:27,791 --> 00:42:29,458 [a door slams] 790 00:42:31,583 --> 00:42:33,583 [flow of a liquid] 791 00:42:34,166 --> 00:42:36,000 [uproar] 792 00:42:36,625 --> 00:42:37,875 [he groans] 793 00:42:42,791 --> 00:42:45,666 - [flow of a liquid] - [metal creaks] 794 00:42:48,750 --> 00:42:51,666 - [the seagulls sing] - [sea surf in the distance] 795 00:42:52,958 --> 00:42:54,666 Oh, damn! 796 00:42:56,041 --> 00:42:57,458 Oh shit ! 797 00:42:59,833 --> 00:43:01,958 She slipped! Oh shit. 798 00:43:02,666 --> 00:43:04,500 She slipped! 799 00:43:04,666 --> 00:43:06,750 Oh no! Oh ! 800 00:43:06,916 --> 00:43:09,416 [dramatic music, electronic] 801 00:43:12,291 --> 00:43:15,208 [birds chirp] 802 00:43:15,375 --> 00:43:16,625 She slips... 803 00:43:16,791 --> 00:43:19,250 I'm not surprised. I know your house. 804 00:43:19,416 --> 00:43:20,625 Do you know? 805 00:43:20,791 --> 00:43:23,666 Of course, with Le Homet, you are in good hands. 806 00:43:23,833 --> 00:43:25,333 He'll fix that for you. 807 00:43:25,500 --> 00:43:27,458 Come, we're going to have a drink. Oh ! 808 00:43:27,625 --> 00:43:29,750 [The Homet] I'll see if Noi is visible. 809 00:43:29,916 --> 00:43:31,875 - Wait ! - [Bagnoule laughs] 810 00:43:32,666 --> 00:43:35,541 [Machond] But... the man is there, Is he an entrepreneur? 811 00:43:35,708 --> 00:43:37,291 Yes. It's Le Homet. 812 00:43:37,458 --> 00:43:39,833 The, further, Homet. Go ahead, repeat. 813 00:43:40,000 --> 00:43:42,666 The Homet, I understood. But is he competent? 814 00:43:42,833 --> 00:43:43,916 Of course. 815 00:43:44,083 --> 00:43:45,500 And also an artist. 816 00:43:45,666 --> 00:43:47,333 Look at this giraffe. 817 00:43:47,500 --> 00:43:49,208 And there, a portrait of Noi. 818 00:43:49,375 --> 00:43:51,083 [Machond whispers] Who is Noi? 819 00:43:51,250 --> 00:43:54,250 This is the person with whom Le Homet lives. 820 00:43:54,416 --> 00:43:57,333 - Oh ! Are you coming? - Yes. We're coming, Le Homet. 821 00:43:57,500 --> 00:43:59,291 Yeah, over there. 822 00:43:59,958 --> 00:44:02,000 - How are you ? - Mmh, hello. 823 00:44:02,166 --> 00:44:03,583 Is it booming? 824 00:44:04,416 --> 00:44:06,083 - How are you. - Sit down. 825 00:44:06,250 --> 00:44:08,916 - Well, with pleasure. - Can we help you Le Homet? 826 00:44:09,083 --> 00:44:10,958 - No ! - Hello Mrs. 827 00:44:11,125 --> 00:44:13,958 - Uh... Jean-Yves Machond. - Hi. 828 00:44:14,125 --> 00:44:15,750 Wow. 829 00:44:18,708 --> 00:44:20,583 [The Homet] Does white wine suit you? 830 00:44:22,125 --> 00:44:23,250 Who is it ? 831 00:44:23,416 --> 00:44:24,958 - Noi. - Ah, it’s Noi. 832 00:44:25,125 --> 00:44:27,625 [music coming from headphones] 833 00:44:28,916 --> 00:44:30,666 Is she a lady? 834 00:44:30,833 --> 00:44:33,333 For what ? Does that worry you? 835 00:44:33,500 --> 00:44:35,500 No ! At all, at all. 836 00:44:35,666 --> 00:44:37,083 But... uh... 837 00:44:37,250 --> 00:44:39,791 She has already slipped, eh, your house. 838 00:44:39,958 --> 00:44:41,666 - Ah good ? - Fifteen years ago. 839 00:44:41,833 --> 00:44:45,791 There, we should see if it is not the pipes which suffered. 840 00:44:45,958 --> 00:44:47,708 No, I vouch for it. 841 00:44:47,875 --> 00:44:50,208 Oh, well, that. If I may, 842 00:44:50,375 --> 00:44:53,291 I put 15 meters big pipes to evacuate everything. 843 00:44:53,458 --> 00:44:56,041 No, but Le Homet will get you out of trouble. 844 00:44:56,208 --> 00:44:59,000 - And he's going to give you a price, eh. - No, no. 845 00:44:59,166 --> 00:45:00,791 Yes, Machond is a friend. 846 00:45:00,958 --> 00:45:03,125 He is also an artist like us. 847 00:45:03,291 --> 00:45:04,375 Finally... 848 00:45:04,541 --> 00:45:06,833 We don't have the same work... 849 00:45:07,000 --> 00:45:09,791 Hey! We have to tighten up elbows between artists... 850 00:45:09,958 --> 00:45:11,333 It's not false! 851 00:45:11,500 --> 00:45:15,208 And besides, he told me that Noi's portrait was magnificent. 852 00:45:15,375 --> 00:45:18,083 - Those are his words, eh, magnificent. - Oh yeah? 853 00:45:18,250 --> 00:45:20,708 Well, that touches me. That's it for me... I'll take it! 854 00:45:20,875 --> 00:45:23,000 But I think that your architect 855 00:45:23,166 --> 00:45:25,458 is an idiot. Do not make foundations... 856 00:45:25,625 --> 00:45:27,875 It's a stupid thing. - No, be careful. 857 00:45:28,041 --> 00:45:31,000 The architect, a bit of an idiot, it's Georges Mouton. 858 00:45:31,166 --> 00:45:33,958 So the foundations, he doesn't care a little bit. 859 00:45:34,125 --> 00:45:37,000 A little daring in art doesn't hurt. 860 00:45:37,166 --> 00:45:39,208 So, “Away with these preconceived ideas”, 861 00:45:39,375 --> 00:45:41,458 as Mr. Mouton would say. 862 00:45:42,166 --> 00:45:43,541 It was hay! 863 00:45:43,708 --> 00:45:45,250 But I adore you! 864 00:45:45,416 --> 00:45:46,750 - Ah good ? - I adore you. 865 00:45:46,916 --> 00:45:50,083 I'm delighted. Thank you, sir The Homet. Okay, then... 866 00:45:50,250 --> 00:45:52,458 - To Georges Mouton! - To Georges Mouton! 867 00:45:52,625 --> 00:45:54,625 - Hay! - So ! 868 00:45:54,791 --> 00:45:57,000 [wind chime rings] 869 00:45:57,166 --> 00:45:59,791 - [soft music] - [crickets chirp] 870 00:46:02,541 --> 00:46:04,666 [Bagnoule] Stop for two seconds. 871 00:46:06,916 --> 00:46:08,000 [Machond] Yeah. 872 00:46:08,166 --> 00:46:09,916 [the car squeaks] 873 00:46:11,833 --> 00:46:13,791 It's there. 874 00:46:22,750 --> 00:46:24,458 [the engine cuts out] 875 00:46:24,625 --> 00:46:26,083 Oh frankly! 876 00:46:26,250 --> 00:46:28,583 You could have done it at Le Homet, eh! 877 00:46:28,750 --> 00:46:30,958 [crickets chirp] 878 00:46:37,666 --> 00:46:41,166 [seagulls sing] 879 00:46:43,666 --> 00:46:45,458 But where is he going? 880 00:46:46,416 --> 00:46:48,125 [Machond] What are you doing? 881 00:46:49,000 --> 00:46:51,000 I'll never get there, old man. 882 00:46:51,166 --> 00:46:53,125 Thin. Prostate problem? 883 00:46:53,291 --> 00:46:55,458 No, if I could get closer to it, 884 00:46:55,625 --> 00:46:57,875 wouldn't it be only a little, you see? 885 00:46:58,041 --> 00:47:00,208 And no, it's forbidden. 886 00:47:00,375 --> 00:47:02,875 I'm not talking to you about that. I'm talking to you about this! 887 00:47:03,041 --> 00:47:06,041 Of these colors, of this grace, of this beauty. 888 00:47:06,208 --> 00:47:09,041 If only I were worthy to paint them! 889 00:47:09,208 --> 00:47:10,583 Oh, pff! Yeah. 890 00:47:12,750 --> 00:47:14,791 I don't understand you, Machond. 891 00:47:15,250 --> 00:47:16,375 For what ? 892 00:47:16,541 --> 00:47:18,333 Well why did you come here? 893 00:47:18,500 --> 00:47:19,500 Well... 894 00:47:19,666 --> 00:47:22,541 it was you who asked me to stop to urinate. 895 00:47:23,083 --> 00:47:26,166 What's going on? What is it? Eh ? 896 00:47:26,333 --> 00:47:27,458 But it's okay. 897 00:47:27,625 --> 00:47:29,875 - No, it's not okay. - Yes. 898 00:47:30,041 --> 00:47:32,625 But go ahead, empty your bag, eh! Tell me. 899 00:47:32,791 --> 00:47:34,458 No. 900 00:47:36,458 --> 00:47:39,666 Well, yes. I'm a little worried for my house, that's it. 901 00:47:39,833 --> 00:47:41,291 Bagnoule blows. 902 00:47:41,458 --> 00:47:44,458 Your house, there is no that your house is visible. 903 00:47:44,625 --> 00:47:46,458 Talk to Bagnoule. 904 00:47:46,625 --> 00:47:49,208 Tell me what's wrong at Machond’s. Come on ! 905 00:47:50,041 --> 00:47:51,333 Say it! 906 00:47:51,666 --> 00:47:53,125 Ah but I know! 907 00:47:53,291 --> 00:47:55,708 - What ? - Machond is in love! 908 00:47:55,875 --> 00:47:57,791 Ouch, ouch, ouch, ouch, ouch, ouch... 909 00:47:57,958 --> 00:47:59,250 My poor friend. 910 00:47:59,416 --> 00:48:01,333 Yes, it's true. 911 00:48:01,500 --> 00:48:04,125 - She drives me crazy. - [Bagnoule laughs] 912 00:48:04,291 --> 00:48:05,625 I suspected it. 913 00:48:05,791 --> 00:48:07,375 You won't say it, will you? 914 00:48:07,541 --> 00:48:10,541 - No. It stays between us. - Of course. 915 00:48:10,708 --> 00:48:13,291 - [the seagulls sing] - [sea surf] 916 00:48:14,500 --> 00:48:16,458 Nature! That's all it's true. 917 00:48:16,625 --> 00:48:20,166 Everything comes from it, everything returns there, everything is resolved there. 918 00:48:20,333 --> 00:48:22,708 Do you see that little fly there? Look at. 919 00:48:22,875 --> 00:48:23,833 Hmm. 920 00:48:24,000 --> 00:48:26,625 Well, it’s the turnip fly. Delia floralis. 921 00:48:26,791 --> 00:48:30,208 So, first, it arises on the turnip flower. 922 00:48:30,375 --> 00:48:34,083 She takes a small lubricating substance 923 00:48:34,250 --> 00:48:37,000 for then go and fertilize the female. 924 00:48:37,166 --> 00:48:39,041 You see, nature is crazy. 925 00:48:39,208 --> 00:48:41,416 But are you serious? for the fly? 926 00:48:43,166 --> 00:48:45,375 - No, I'm kidding. - Ah OK. 927 00:48:45,541 --> 00:48:47,875 - It's to distract you, eh oh! - Okay. 928 00:48:48,541 --> 00:48:49,916 Here, look. 929 00:48:50,583 --> 00:48:51,791 Hey! 930 00:48:52,583 --> 00:48:53,666 We are here! 931 00:48:53,833 --> 00:48:55,208 - Hi ! - How are you ? 932 00:48:55,375 --> 00:48:57,500 I'm just passing through. I'm going. 933 00:48:58,083 --> 00:49:01,166 Did you know Machond or not? I don't remember anymore. 934 00:49:01,333 --> 00:49:04,416 We've seen each other here before, but we didn't introduce ourselves. 935 00:49:04,583 --> 00:49:06,875 Well, suddenly. Machond. Deborah. 936 00:49:07,041 --> 00:49:09,458 - Jean-Yves! - Ah, Jean-Yves. So. 937 00:49:09,625 --> 00:49:12,458 Figure it out, he wanted to buy you a stone. 938 00:49:12,625 --> 00:49:15,166 - Oh, yeah? - Um, no. Well, no. 939 00:49:15,333 --> 00:49:17,916 That's nice. I have one right there. 940 00:49:18,083 --> 00:49:19,541 A pocket stone. 941 00:49:19,708 --> 00:49:21,833 - Let me see, can I? - Um, yes... 942 00:49:22,000 --> 00:49:23,125 Is it expensive? 943 00:49:23,291 --> 00:49:24,583 - How much ? - 50. 944 00:49:24,750 --> 00:49:28,041 50! I don't have one as pretty at my house. You're lucky. 945 00:49:28,208 --> 00:49:30,625 - Take it! - I'll make you another one. 946 00:49:30,791 --> 00:49:33,375 Take this one. I don't have the means. 947 00:49:33,541 --> 00:49:35,416 Keep it. You will pay after 948 00:49:35,583 --> 00:49:37,500 in exchange for Blue. 949 00:49:37,666 --> 00:49:40,166 - I'm running away! - Oh yes ! The Blue! 950 00:49:41,541 --> 00:49:44,250 - [entrance bell rings] - Okay, okay. 951 00:49:44,416 --> 00:49:46,333 How beautiful she is, 952 00:49:46,500 --> 00:49:48,375 It almost hurts. 953 00:49:48,541 --> 00:49:49,500 What ? 954 00:49:49,666 --> 00:49:52,291 She's a funny girl... 955 00:49:52,458 --> 00:49:55,916 She talks I don't know how much of languages, she is almost homeless. 956 00:49:56,083 --> 00:49:59,416 She travels all the time. And here, she works behind there. 957 00:49:59,875 --> 00:50:02,416 - Oh yes, I... - The boss is cool. 958 00:50:02,583 --> 00:50:05,250 Cécile Fouasse asked him to exhibit. 959 00:50:05,416 --> 00:50:07,125 Cecile? In his gallery? 960 00:50:07,291 --> 00:50:11,416 She sent it to the roses. Can you imagine this little girl’s guts? 961 00:50:11,583 --> 00:50:14,958 - You did well to buy it. - No, I didn't take it from him. 962 00:50:15,125 --> 00:50:17,666 Yes, wait, you bought him there, oh! 963 00:50:17,833 --> 00:50:19,208 It helps him. 964 00:50:19,375 --> 00:50:23,291 I too need help. I remind you that my house is slipping. 965 00:50:23,458 --> 00:50:26,791 But you're being a pain in the ass with your house. That costs next to nothing. 966 00:50:26,958 --> 00:50:28,583 Every time... 967 00:50:28,750 --> 00:50:31,708 It can't be me who buys. It's starting to show. 968 00:50:31,875 --> 00:50:34,416 But I'll pay you back if you want. 969 00:50:34,583 --> 00:50:37,250 - No, wait. It's good. - Here, keep it. 970 00:50:38,208 --> 00:50:39,708 It will bring you luck. 971 00:50:41,250 --> 00:50:43,958 - Do you think so? - Well, yes. It brings luck... 972 00:50:44,125 --> 00:50:45,625 Help others. 973 00:50:48,583 --> 00:50:50,791 - It's true that it's pretty. - Well, yes! 974 00:50:50,958 --> 00:50:52,958 [soft, rhythmic music] 975 00:51:13,208 --> 00:51:14,750 [engine starts] 976 00:51:29,250 --> 00:51:31,708 - [music stops] - [someone shouts] 977 00:51:31,875 --> 00:51:33,333 Stop, stop! 978 00:51:33,500 --> 00:51:35,791 Stop! There is a big problem. 979 00:51:35,958 --> 00:51:40,000 Something broke, it made a strange noise. 980 00:51:40,166 --> 00:51:43,166 Maybe something which came loose. 981 00:51:43,333 --> 00:51:44,833 Oh. [he inhales] 982 00:51:45,000 --> 00:51:47,125 - [they sniff] - My god. 983 00:51:47,833 --> 00:51:49,791 [a liquid flows] 984 00:51:49,958 --> 00:51:51,458 There are stirrings. 985 00:51:51,625 --> 00:51:54,791 - It smells horrible. - Well, shit. 986 00:51:55,666 --> 00:51:56,708 The shit? 987 00:51:56,875 --> 00:51:59,458 The evacuation... It held more than the pit. 988 00:51:59,625 --> 00:52:01,791 Something must be done! 989 00:52:02,666 --> 00:52:05,541 I'll come back with some guys, but when? 990 00:52:05,708 --> 00:52:08,958 And in the meantime, This night, watch out for rats. 991 00:52:09,125 --> 00:52:10,291 Rats? 992 00:52:10,458 --> 00:52:11,666 Yes. 993 00:52:13,291 --> 00:52:14,750 It's an ordeal. 994 00:52:14,916 --> 00:52:16,875 [he gets angry] It's an ordeal! 995 00:52:17,458 --> 00:52:19,000 I'm disappointed, huh? 996 00:52:20,416 --> 00:52:24,166 Oh dear. Oh, it smells more inside. 997 00:52:24,333 --> 00:52:27,458 Oh dear, that's terrible. 998 00:52:27,625 --> 00:52:30,375 - [gentle piano music] - [insects sizzle] 999 00:52:34,125 --> 00:52:35,791 [music stops] 1000 00:52:38,208 --> 00:52:40,041 [the window is rubbed] 1001 00:52:42,333 --> 00:52:43,958 [music resumes] 1002 00:52:48,375 --> 00:52:51,291 - [he laughs softly] - [rubbing continues] 1003 00:53:01,666 --> 00:53:03,625 [metallic squeaks] 1004 00:53:08,791 --> 00:53:10,708 [in a pedantic tone] “Machond. 1005 00:53:11,916 --> 00:53:14,750 “We are a little surprised. 1006 00:53:14,916 --> 00:53:19,166 Why did you take a subject such conventional sentimentality? 1007 00:53:20,333 --> 00:53:23,416 The hedgehog." [he imitates a laugh] 1008 00:53:23,583 --> 00:53:26,666 [he inhales, bored] Oh, think again, dear friends! 1009 00:53:26,833 --> 00:53:28,833 No, there's nothing cutesy about that. 1010 00:53:29,000 --> 00:53:31,833 I told you, I have been working for years 1011 00:53:32,000 --> 00:53:35,208 against the dictates of the subject, you know it. 1012 00:53:35,375 --> 00:53:38,000 You should instead ask yourself 1013 00:53:38,166 --> 00:53:40,833 why don't you allow yourself this freedom? 1014 00:53:41,000 --> 00:53:42,791 Because you are not an artist. 1015 00:53:42,958 --> 00:53:45,041 [pedant tone] “Listen, Machond! 1016 00:53:45,208 --> 00:53:47,333 - [intriguing music] - Gouache. 1017 00:53:47,500 --> 00:53:49,666 [ridiculous laughter] A little black mine. 1018 00:53:49,833 --> 00:53:52,625 [he is excited] And we’re making one, a hedgehog!” 1019 00:53:52,791 --> 00:53:56,333 There, you see! I allow myself the long hedgehog 1020 00:53:56,500 --> 00:53:58,875 as I allow myself the square hedgehog. 1021 00:53:59,041 --> 00:54:02,583 “That’s it, Machond. Taken mad, You paint like crazy!” 1022 00:54:02,750 --> 00:54:04,666 [music intensifies] 1023 00:54:09,083 --> 00:54:12,166 [feverish high notes creep in] 1024 00:54:21,958 --> 00:54:24,250 - [clink] - [music fades] 1025 00:54:26,083 --> 00:54:27,291 [yawns] 1026 00:54:27,458 --> 00:54:29,125 [music stops] 1027 00:54:29,291 --> 00:54:31,291 [almost imperceptible strokes] 1028 00:54:34,208 --> 00:54:35,416 [amused laugh] 1029 00:54:36,208 --> 00:54:37,708 [there is a knock on the door] 1030 00:54:40,458 --> 00:54:42,208 Who is this? 1031 00:54:45,750 --> 00:54:47,666 [insects sizzle] 1032 00:54:54,875 --> 00:54:58,125 Oh! Cecile! 1033 00:54:58,916 --> 00:55:00,500 [he is confused] 1034 00:55:00,666 --> 00:55:02,000 It was open. 1035 00:55:02,166 --> 00:55:03,541 What a surprise! 1036 00:55:03,708 --> 00:55:07,416 You sent me a message. I thought you were coming. 1037 00:55:08,458 --> 00:55:10,708 An unfortunate setback. Sorry. 1038 00:55:10,875 --> 00:55:14,125 But I was very emotional. I vibrated in anticipation. 1039 00:55:14,291 --> 00:55:15,500 Ah good ? 1040 00:55:16,083 --> 00:55:18,916 This smell is terrible. Did you just shit? 1041 00:55:19,083 --> 00:55:22,041 No, not now. But simply, it's my... 1042 00:55:22,208 --> 00:55:24,458 evacuations which pose a problem. 1043 00:55:24,625 --> 00:55:26,458 Do you want me to put... 1044 00:55:26,625 --> 00:55:28,250 Yes. A paper from Armenia? 1045 00:55:28,416 --> 00:55:30,208 Ah well there you go. Here. 1046 00:55:30,375 --> 00:55:33,958 [he takes a very cheerful tone] Oh, a good bottle of Port! 1047 00:55:34,125 --> 00:55:36,250 - [she laughs] - Damn, I'm spoiled. 1048 00:55:36,708 --> 00:55:38,916 Serve us while I... 1049 00:55:39,083 --> 00:55:41,291 discovers the alchemist's workshop. 1050 00:55:41,458 --> 00:55:43,791 I had never come in this house. 1051 00:55:45,083 --> 00:55:47,791 [laughing] Too bad you're crossing it... 1052 00:55:47,958 --> 00:55:50,625 in these remugles a little disgusting, but hey... 1053 00:55:52,041 --> 00:55:54,375 You too paint pussies? 1054 00:55:54,541 --> 00:55:55,875 [he pours the port] 1055 00:55:56,041 --> 00:55:58,916 They're not pussies, they are hedgehogs. 1056 00:56:01,458 --> 00:56:03,000 Hedgehogs? 1057 00:56:05,000 --> 00:56:06,750 [she laughs] Hello. 1058 00:56:07,416 --> 00:56:09,500 [he laughs, a little confused] Hello. 1059 00:56:10,125 --> 00:56:13,291 - Please note, they are numbered. - Sorry, sorry, sorry. 1060 00:56:13,458 --> 00:56:14,916 - Shall we toast? - Oh ! 1061 00:56:16,666 --> 00:56:17,916 At your visit. 1062 00:56:18,708 --> 00:56:20,541 [she whispers] Tchin. 1063 00:56:21,000 --> 00:56:23,166 [he exclaims] Delicious. 1064 00:56:23,666 --> 00:56:26,625 How you can drink this in this stench? 1065 00:56:26,791 --> 00:56:29,791 I am sincerely sorry. [he inhales, embarrassed] 1066 00:56:29,958 --> 00:56:32,208 So, Jean-Yves, hedgehogs? 1067 00:56:32,375 --> 00:56:34,125 Yes, it surprises you. 1068 00:56:34,291 --> 00:56:35,875 A little, a little. 1069 00:56:36,333 --> 00:56:39,541 You see, Cécile, I decided to move past the subject. 1070 00:56:39,708 --> 00:56:42,375 [pedantly] I want the subject to be both 1071 00:56:42,541 --> 00:56:45,583 validated, as a hedgehog, of course. 1072 00:56:46,041 --> 00:56:48,833 But also out of the game through its reproduction. 1073 00:56:49,000 --> 00:56:50,458 Do you understand? 1074 00:56:50,625 --> 00:56:52,125 Validated, out of play. 1075 00:56:53,375 --> 00:56:56,583 We talked about it last time at the exhibition. 1076 00:56:56,750 --> 00:56:59,958 I no longer want the dictates of the subject. So there is no subject. 1077 00:57:00,833 --> 00:57:03,041 They're cats, Jean-Yves. 1078 00:57:05,250 --> 00:57:08,333 - Thousands of cats. - [almost imperceptible blows] 1079 00:57:08,500 --> 00:57:10,750 It's for me that you painted this. 1080 00:57:10,916 --> 00:57:13,750 - [romantic piano music] - All these pussies. 1081 00:57:14,583 --> 00:57:16,125 [he has shortness of breath] 1082 00:57:17,625 --> 00:57:20,916 I don't really know what happens to me. I... 1083 00:57:21,083 --> 00:57:22,833 I arrive in the middle of the night 1084 00:57:23,000 --> 00:57:25,916 in an artist's studio that I don't know. 1085 00:57:26,083 --> 00:57:28,458 Nobody knows I'm here. 1086 00:57:28,625 --> 00:57:30,458 - Person ? - Person. 1087 00:57:31,250 --> 00:57:33,000 - Really no one? - No. 1088 00:57:33,583 --> 00:57:35,083 He paints pussies. 1089 00:57:35,250 --> 00:57:37,166 No... [he stammers, embarrassed] 1090 00:57:49,750 --> 00:57:52,000 [music stops] 1091 00:57:52,166 --> 00:57:55,916 No. Not in this stench. I need to get some fresh air... 1092 00:57:57,250 --> 00:57:59,500 - Wait... - I'm going to feel bad. 1093 00:57:59,666 --> 00:58:01,291 Maybe we can... 1094 00:58:01,458 --> 00:58:03,250 - No. - Take a walk together 1095 00:58:03,416 --> 00:58:05,958 or maybe... No, don't you think so? 1096 00:58:06,125 --> 00:58:08,833 Return to your hedgehogs, big pig. 1097 00:58:09,000 --> 00:58:10,083 [she laughs] 1098 00:58:10,375 --> 00:58:11,875 [door opens] 1099 00:58:12,041 --> 00:58:14,916 [she cries out in relief] 1100 00:58:16,958 --> 00:58:19,708 But finally, Cécile! I'm not made of wood! 1101 00:58:20,125 --> 00:58:22,416 - [the bed is shaken] - [he breathes heavily] 1102 00:58:26,250 --> 00:58:28,666 - [squeaks.] - [clears his throat] 1103 00:58:28,833 --> 00:58:31,833 [Machond] Get the hell away! Get out of here! No, no! 1104 00:58:32,000 --> 00:58:33,791 Oh no, not now! 1105 00:58:34,708 --> 00:58:36,666 [he groans] 1106 00:58:36,833 --> 00:58:38,083 Oh, shit! 1107 00:58:38,250 --> 00:58:39,750 [film theme rhythmic and soothing] 1108 00:58:42,375 --> 00:58:43,791 [high-pitched squeaks] 1109 00:58:45,666 --> 00:58:47,333 [music stops] 1110 00:58:47,500 --> 00:58:49,708 [the charcoals scratch the paper] 1111 00:59:22,458 --> 00:59:23,708 [Sylvia] Sorry. 1112 00:59:23,875 --> 00:59:25,125 It's funny... 1113 00:59:25,291 --> 00:59:28,250 you leave a big stain instead of sex, 1114 00:59:28,416 --> 00:59:29,916 it looks like a cloud. 1115 00:59:30,083 --> 00:59:32,666 - Yes ! - Are you doing it on purpose? 1116 00:59:33,041 --> 00:59:34,583 Yes. Yes, yes, yes. 1117 00:59:34,750 --> 00:59:40,041 I find that sex is a somewhat outdated concept. 1118 00:59:40,208 --> 00:59:42,875 At the time when we settle down gender issues, 1119 00:59:43,041 --> 00:59:48,250 this theme borders on the reactionary, the right, even the extreme right. 1120 00:59:48,416 --> 00:59:50,958 Sorry to tell you. Who would I be to... 1121 00:59:51,125 --> 00:59:53,541 [he inhales] Designate someone else’s gender? 1122 00:59:53,708 --> 00:59:55,708 You don't see Sylvia's gender? 1123 00:59:55,875 --> 00:59:59,041 Honestly, no, no. And then, anyway, 1124 00:59:59,208 --> 01:00:01,375 I am against the idea of seeing, that’s it. 1125 01:00:01,875 --> 01:00:03,375 - [he laughs] - That's crazy. 1126 01:00:03,541 --> 01:00:05,958 - Yes. - I am a woman. 1127 01:00:07,416 --> 01:00:09,666 Are you sure? Are you sure? 1128 01:00:10,000 --> 01:00:14,375 Yes, society is stuffing your head for centuries and tells you so. 1129 01:00:14,541 --> 01:00:17,125 But... [he blows disdainfully] 1130 01:00:17,291 --> 01:00:19,500 You have to ask yourself the real questions. 1131 01:00:20,416 --> 01:00:21,916 I am very serious. 1132 01:00:23,666 --> 01:00:27,083 You're so cute when you're serious. You make us laugh. 1133 01:00:27,250 --> 01:00:31,041 - Laugh ? Among the great apes... - [phone tone] 1134 01:00:38,458 --> 01:00:39,666 [he whispers] Yes... 1135 01:00:45,958 --> 01:00:49,250 Friends, I'm going to Brussels. 1136 01:00:49,416 --> 01:00:50,458 Oh, no! 1137 01:00:50,625 --> 01:00:51,708 The house, 1138 01:00:51,875 --> 01:00:52,958 the works! 1139 01:00:53,125 --> 01:00:55,708 - Are you going back to live in Brussels? - No. 1140 01:00:55,875 --> 01:00:57,500 For a transaction. 1141 01:00:57,666 --> 01:00:59,458 [phone tone] 1142 01:01:04,166 --> 01:01:06,083 [he inhales deeply] 1143 01:01:12,625 --> 01:01:15,041 [soft tune on piano] 1144 01:01:17,000 --> 01:01:19,333 [he imitates the sounds of a drum] 1145 01:01:22,000 --> 01:01:23,625 [a phone rings] 1146 01:01:24,916 --> 01:01:28,666 - Hello? Cecile? - Yes my love. 1147 01:01:28,833 --> 01:01:31,541 Oh, I was wondering when you were going to call me. 1148 01:01:31,708 --> 01:01:33,708 [Bagnoule] But no, it's me. [laughing] 1149 01:01:33,875 --> 01:01:36,208 - No. - It's Bagnoule. 1150 01:01:37,625 --> 01:01:39,791 I heard it in your breathing. 1151 01:01:39,958 --> 01:01:42,583 Why are you calling me? I was working. 1152 01:01:42,750 --> 01:01:45,458 I called you to invite you to dinner tonight. 1153 01:01:45,625 --> 01:01:48,541 No, tomorrow I get up at dawn. I can't. 1154 01:01:48,708 --> 01:01:51,625 Come on. I have capons... 1155 01:01:51,791 --> 01:01:54,458 He cooks them with truffles and foie gras. 1156 01:01:55,083 --> 01:01:56,208 Hmm. 1157 01:01:56,375 --> 01:01:59,500 - Isn't foie gras forbidden? - No. Not yet. 1158 01:01:59,666 --> 01:02:02,916 - Come on, come on. - Okay. I need to relax. 1159 01:02:03,083 --> 01:02:05,833 But I warn you, I don't intend... 1160 01:02:06,000 --> 01:02:08,250 to go to bed late. - [tension music] 1161 01:02:08,416 --> 01:02:10,083 I'll leave you, sorry. 1162 01:02:33,041 --> 01:02:36,833 - [music stops] - [he screams and pants] 1163 01:02:37,791 --> 01:02:40,166 What are you doing with a frying pan? 1164 01:02:40,958 --> 01:02:42,208 Do you cook? 1165 01:02:42,375 --> 01:02:45,416 [he has shortness of breath] Yes, sorry. You surprised me. 1166 01:02:46,000 --> 01:02:48,291 I was going to make some mushrooms. 1167 01:02:48,458 --> 01:02:51,291 - Do you want to share my table, Claude? - [squeaks] 1168 01:02:51,458 --> 01:02:54,375 No thanks. Call me Pilou, it's simpler. 1169 01:02:54,916 --> 01:02:57,250 All right. 1170 01:02:57,416 --> 01:02:59,625 [his voice is high] Shall I get you a drink? 1171 01:02:59,791 --> 01:03:01,541 Hey, that’s funny. 1172 01:03:01,708 --> 01:03:03,958 I have exactly the same Porto at my house. 1173 01:03:04,625 --> 01:03:06,166 What a coincidence. 1174 01:03:06,333 --> 01:03:08,375 It's not for that that I came. 1175 01:03:08,541 --> 01:03:10,166 But for a service. 1176 01:03:10,708 --> 01:03:12,833 [his voice barely comes out] With pleasure. 1177 01:03:13,375 --> 01:03:16,166 You could accompany my wife in Brussels? 1178 01:03:17,250 --> 01:03:18,500 Okay, then... 1179 01:03:20,583 --> 01:03:24,583 In two words, I'll get straight to the point. 1180 01:03:24,750 --> 01:03:26,125 I have more confidence. 1181 01:03:26,291 --> 01:03:27,666 Yes, yes. 1182 01:03:27,833 --> 01:03:30,666 Yeah, uh... I put my hand to cut that... 1183 01:03:30,833 --> 01:03:33,750 she cheats on me, that she has a lover, that's it. 1184 01:03:34,875 --> 01:03:36,083 Big. 1185 01:03:37,083 --> 01:03:39,333 - Dude, you said it. - [squeaks] 1186 01:03:40,041 --> 01:03:42,583 - What makes you say that? - Because... 1187 01:03:42,750 --> 01:03:47,000 I noticed now that we enter into privacy, that... 1188 01:03:47,166 --> 01:03:51,166 she is getting more and more excited. - [he is embarrassed] 1189 01:03:52,083 --> 01:03:53,833 - Yes. - Excited ? But... 1190 01:03:54,000 --> 01:03:55,458 You mean... 1191 01:03:55,625 --> 01:03:57,166 - Yes. - Sexually? 1192 01:03:57,333 --> 01:03:58,666 It's none of my business. 1193 01:03:58,833 --> 01:04:00,458 - That's not the question. - No. 1194 01:04:00,625 --> 01:04:03,500 Are you ready to accompany him? Yes or no? 1195 01:04:06,041 --> 01:04:07,583 Yes, but she will... 1196 01:04:08,500 --> 01:04:11,125 I will explain to him, don't worry about that. 1197 01:04:11,291 --> 01:04:13,416 I need a periscope. 1198 01:04:13,583 --> 01:04:15,250 - Do you see? - Perisc... 1199 01:04:15,416 --> 01:04:17,541 - This is what I expect from you. - Okay. 1200 01:04:17,708 --> 01:04:20,125 I have to know what she's doing, with who. 1201 01:04:20,291 --> 01:04:21,833 In complete discretion. 1202 01:04:22,000 --> 01:04:24,583 A periscope to look at the surface. 1203 01:04:24,750 --> 01:04:27,458 Why do you believe that he is from Brussels? 1204 01:04:27,625 --> 01:04:29,375 He's not from here! 1205 01:04:29,541 --> 01:04:31,958 I know everyone, it's very small. 1206 01:04:32,125 --> 01:04:35,541 I point out to you, for information, I'm basically Belgian, eh. 1207 01:04:35,708 --> 01:04:37,583 - But no ! - Oh, yes. 1208 01:04:37,750 --> 01:04:39,208 You can't hear it. 1209 01:04:39,375 --> 01:04:41,583 Because I erased my accent. 1210 01:04:41,750 --> 01:04:42,958 I smoothed it out! 1211 01:04:43,125 --> 01:04:46,250 In order to be more all-purpose, in quotation marks. 1212 01:04:46,416 --> 01:04:47,625 Do you understand? 1213 01:04:47,916 --> 01:04:51,750 - It's true, you don't have an accent. - Please believe me one thing. 1214 01:04:51,916 --> 01:04:56,333 He lives here, I meet him, he's having a bad time. 1215 01:04:56,500 --> 01:04:59,291 I'll beat the shit out of him. And bam, bam, bam, 1216 01:04:59,458 --> 01:05:02,541 bam, bam, bam, bam, bam, bam, bam... 1217 01:05:04,583 --> 01:05:05,666 Bam! 1218 01:05:06,083 --> 01:05:08,208 - I think he... - [he starts again] 1219 01:05:08,375 --> 01:05:10,375 Until when is he no longer a ratchet. 1220 01:05:10,541 --> 01:05:12,000 - More... - Yeah. 1221 01:05:12,166 --> 01:05:13,708 - Then ? - His balls. 1222 01:05:13,875 --> 01:05:14,916 His balls? 1223 01:05:15,916 --> 01:05:20,166 - You're in for a big deal. - Last thing I wanted to say. 1224 01:05:20,333 --> 01:05:22,375 - We play it the old-fashioned way. - Old-fashioned? 1225 01:05:22,916 --> 01:05:24,625 - She's going to call you. - Yes. 1226 01:05:24,791 --> 01:05:26,791 But we, we never saw each other. 1227 01:05:27,250 --> 01:05:29,083 - Never crossed paths. - I... 1228 01:05:29,250 --> 01:05:33,875 Not heard. We didn't say anything. Do you understand that? 1229 01:05:34,041 --> 01:05:36,416 All right. Okay. 1230 01:05:37,500 --> 01:05:40,000 I find that you do very nice work 1231 01:05:40,166 --> 01:05:43,250 - Do you like it? - I'll take the two little pussies. 1232 01:05:43,416 --> 01:05:45,208 It shouldn't be worth very much. 1233 01:05:46,291 --> 01:05:49,083 - They are hedgehogs. - Call it what you want. 1234 01:05:49,250 --> 01:05:50,625 If it turns you on. 1235 01:05:52,916 --> 01:05:56,916 Listen, because you are a friend, I'll make you 3,000 euros a piece. 1236 01:05:57,083 --> 01:05:59,083 I would have put 1,500 for both. 1237 01:05:59,250 --> 01:06:00,416 Goes for 1,500. 1238 01:06:00,583 --> 01:06:02,375 - That's more correct. - Yes. 1239 01:06:03,291 --> 01:06:04,750 Possibly... 1240 01:06:04,916 --> 01:06:07,625 I could ask you an advance? 1241 01:06:07,791 --> 01:06:11,250 - I'm in trouble. - All the same, artists. 1242 01:06:11,416 --> 01:06:13,541 Rats. That's all I have. 1243 01:06:13,708 --> 01:06:16,041 Please gift. Hey! Trust, 1244 01:06:16,208 --> 01:06:18,416 my big guy. And what about “trust”? 1245 01:06:18,583 --> 01:06:20,458 - "Fiance" ? - No, motus. 1246 01:06:20,625 --> 01:06:22,375 And in motus, is there? 1247 01:06:22,541 --> 01:06:23,791 “You”? 1248 01:06:23,958 --> 01:06:25,666 Ah, I prefer. 1249 01:06:26,333 --> 01:06:28,708 - Goodbye, Pilou. - [he opens the door] 1250 01:06:28,875 --> 01:06:30,208 [door slams] 1251 01:06:30,375 --> 01:06:32,416 [almost imperceptible strokes] 1252 01:06:51,250 --> 01:06:53,250 [a woman speaks] Jean-Yves? 1253 01:06:53,416 --> 01:06:54,625 Jean-Yves? 1254 01:06:54,791 --> 01:06:56,416 [footsteps approach] 1255 01:06:57,750 --> 01:07:01,166 - What are you doing here? - I have an appointment with the pebbles. 1256 01:07:01,333 --> 01:07:02,875 - [he laughs] - Did you see? 1257 01:07:03,750 --> 01:07:05,666 - You, were you walking? - Yes. 1258 01:07:05,833 --> 01:07:07,166 Shall we walk? 1259 01:07:07,333 --> 01:07:08,458 All right. 1260 01:07:13,625 --> 01:07:17,000 At the Parthenon, it's forbidden to collect the stones. 1261 01:07:18,083 --> 01:07:19,375 It's theft. 1262 01:07:20,208 --> 01:07:22,833 There would be nothing left of the Parthenon without that. 1263 01:07:24,833 --> 01:07:26,875 It wouldn't be any worse. 1264 01:07:27,041 --> 01:07:29,250 - [the seagulls sing] - Tabula rasa. 1265 01:07:29,416 --> 01:07:31,708 They're just old stones. 1266 01:07:33,541 --> 01:07:35,333 Why are you refusing the exhibition? 1267 01:07:35,500 --> 01:07:39,208 Because it’s at Cécile’s or because you don't want to expose? 1268 01:07:39,833 --> 01:07:42,291 Neither. I don't want galleries, 1269 01:07:42,458 --> 01:07:44,625 no exhibitions, no curator. 1270 01:07:44,791 --> 01:07:48,166 - I don't want anything. - Well, you won't sell anything! 1271 01:07:48,333 --> 01:07:49,750 Yes, even to you. 1272 01:07:49,833 --> 01:07:52,208 [Machond in a hesitant tone] Yes. Listen to me... 1273 01:07:52,291 --> 01:07:53,750 What you do... 1274 01:07:54,833 --> 01:07:57,250 it's very good. It's very strong. 1275 01:07:57,416 --> 01:08:00,708 It's... It's sincere. It's simple and it's concrete. 1276 01:08:00,875 --> 01:08:03,041 And the dictatorship of beauty, I refuse it. 1277 01:08:03,208 --> 01:08:06,583 - [she nods, laughing] - No. You shouldn't laugh at that. 1278 01:08:06,750 --> 01:08:09,750 It's dramatic to approach beauty, you know. 1279 01:08:09,916 --> 01:08:13,250 It's tragic. Oh yes, because we prioritize values. 1280 01:08:13,416 --> 01:08:15,166 There is the beautiful, there is the ugly 1281 01:08:15,333 --> 01:08:17,458 which becomes valid, outdated, banal. 1282 01:08:17,625 --> 01:08:18,750 Brief. 1283 01:08:18,916 --> 01:08:21,208 But why do you do what are you doing? 1284 01:08:22,041 --> 01:08:23,916 What is the... Well, the... 1285 01:08:24,083 --> 01:08:26,625 - The concept? - So. I don't understand. 1286 01:08:26,791 --> 01:08:28,041 I believe that... 1287 01:08:28,208 --> 01:08:30,166 I'm looking for a passage. 1288 01:08:30,333 --> 01:08:31,916 A passage towards what? 1289 01:08:33,666 --> 01:08:35,500 Towards eternity. 1290 01:08:38,041 --> 01:08:41,083 But if you don't expose, you don't exist. 1291 01:08:42,458 --> 01:08:43,833 Have you already exhibited? 1292 01:08:45,166 --> 01:08:48,416 Ah, me, how can I tell you? It's more complicated. 1293 01:08:48,583 --> 01:08:51,500 Personally, me, I am against the principle, 1294 01:08:51,666 --> 01:08:54,250 the concept of exposing, exhibitor, exhibition... 1295 01:08:54,416 --> 01:08:56,250 Well, yes, I have already exhibited. 1296 01:08:56,708 --> 01:08:58,750 So that's it, you exist? 1297 01:08:58,916 --> 01:09:00,708 [he is amused by his remark] 1298 01:09:01,750 --> 01:09:04,500 Well seen, well seen, well seen. You blew my nose, didn't you? 1299 01:09:04,666 --> 01:09:06,500 Are you going to Bagnoule this evening? 1300 01:09:06,666 --> 01:09:08,416 - Yes. - Shall we go together? 1301 01:09:08,583 --> 01:09:11,458 Yes. I have to pass at home for my suitcases. 1302 01:09:11,625 --> 01:09:13,083 I'm going to Brussels. 1303 01:09:13,250 --> 01:09:14,791 I know. 1304 01:09:15,416 --> 01:09:16,625 How so ? 1305 01:09:21,833 --> 01:09:24,000 You painted 1,000 hedgehogs. 1306 01:09:24,166 --> 01:09:26,375 They are almost all the same. 1307 01:09:26,541 --> 01:09:28,333 [he blows, frustrated] No. 1308 01:09:28,500 --> 01:09:30,500 [squeaks] You see, Deborah, 1309 01:09:30,666 --> 01:09:34,416 it's precisely in the repetition that it is interesting to... 1310 01:09:34,583 --> 01:09:39,041 consider the hedgehog, which in itself, doesn't matter much. 1311 01:09:39,208 --> 01:09:40,583 Not important? 1312 01:09:40,750 --> 01:09:44,291 Yes, I could have painted a butt, a spit, a condom, 1313 01:09:44,458 --> 01:09:46,208 It doesn't matter. 1314 01:09:46,375 --> 01:09:49,458 In repetition, I ask myself the question of showing. 1315 01:09:49,625 --> 01:09:51,125 Are you not serious? 1316 01:09:51,291 --> 01:09:53,333 I'm serious. Attention. 1317 01:09:53,500 --> 01:09:55,541 [he is annoyed] Deborah, you see... 1318 01:09:55,708 --> 01:09:58,833 - They are numbered, you... - Who is it? Your daughter? 1319 01:10:02,416 --> 01:10:03,625 Yes. 1320 01:10:04,458 --> 01:10:05,875 [he approaches] 1321 01:10:07,125 --> 01:10:08,750 How do you know? 1322 01:10:09,583 --> 01:10:12,125 Well, she looks like you a little. 1323 01:10:13,250 --> 01:10:14,625 Ah, do you think so? 1324 01:10:14,791 --> 01:10:16,583 Her name is Jia-Li. 1325 01:10:17,208 --> 01:10:18,916 She was four years old. 1326 01:10:20,541 --> 01:10:21,750 There, 20 years. 1327 01:10:21,916 --> 01:10:24,375 His mother left to live in China. 1328 01:10:24,541 --> 01:10:27,666 She is very passionate of oriental arts. 1329 01:10:27,833 --> 01:10:30,708 She actually left me for a Chinese. 1330 01:10:31,458 --> 01:10:33,208 - Yes... - Jia-Li in Chinese, 1331 01:10:33,375 --> 01:10:35,166 it is “good and beautiful”. 1332 01:10:36,958 --> 01:10:40,166 Yes, that's correct. How do you know? 1333 01:10:41,041 --> 01:10:42,708 I speak a little Chinese. 1334 01:10:43,416 --> 01:10:44,583 Come on, okay? 1335 01:10:45,708 --> 01:10:47,208 Here, look. 1336 01:10:47,375 --> 01:10:49,000 She sent it to me. 1337 01:10:49,750 --> 01:10:53,625 I know it's her. She signed Jia-Li, you see? 1338 01:10:53,791 --> 01:10:57,125 But there, Chinese. I'm in trouble. 1339 01:10:57,666 --> 01:11:00,166 Hmm. “We will get to know each other. 1340 01:11:00,333 --> 01:11:02,208 There's still time." 1341 01:11:03,416 --> 01:11:06,833 The card comes from Qingdao, it is a big city in China. 1342 01:11:07,000 --> 01:11:10,458 - [gentle piano music] - Have you seen it by the sea? 1343 01:11:10,625 --> 01:11:14,416 But how does she know where I am? 1344 01:11:14,583 --> 01:11:16,875 The Chinese know everything. 1345 01:11:17,041 --> 01:11:18,666 Ah, you think? 1346 01:11:19,541 --> 01:11:21,291 [music continues] 1347 01:11:21,458 --> 01:11:24,333 [Machond] But according to you, what should I do? 1348 01:11:27,083 --> 01:11:28,625 [Déborah] Wait. 1349 01:11:31,000 --> 01:11:33,583 - [the wind blows] - [the seagulls sing] 1350 01:11:35,041 --> 01:11:36,958 [Machond] Do I have the right to a question? 1351 01:11:37,125 --> 01:11:39,083 - How do I know Chinese? - Already. 1352 01:11:39,250 --> 01:11:41,583 - You want to know, right? - You are an enigma. 1353 01:11:41,750 --> 01:11:43,708 Excuse me, but I... 1354 01:11:44,166 --> 01:11:45,500 What if... 1355 01:11:45,666 --> 01:11:48,833 What if we left it all vague? 1356 01:11:49,000 --> 01:11:53,541 - If we didn't use adjectives. - Yes. 1357 01:11:53,708 --> 01:11:58,916 If for once we left it there how does it look? 1358 01:11:59,083 --> 01:12:01,416 Yes, you are right. Yes, it's true. 1359 01:12:01,583 --> 01:12:03,666 It's a good concept, right? 1360 01:12:03,833 --> 01:12:05,708 It's a great concept. 1361 01:12:05,875 --> 01:12:07,750 A liberating concept? 1362 01:12:08,916 --> 01:12:11,666 - We can say a liberated concept... - Come on, let's go. 1363 01:12:11,833 --> 01:12:14,625 [music fades] 1364 01:12:14,791 --> 01:12:18,000 - [cutlery clashes] - [indistinct words] 1365 01:12:20,666 --> 01:12:22,500 You know that today, 1366 01:12:22,666 --> 01:12:24,583 I sold two of my works? 1367 01:12:25,541 --> 01:12:27,125 Whose, Machond? To whom? 1368 01:12:27,291 --> 01:12:29,666 - A collector. - [we congratulate him] 1369 01:12:30,500 --> 01:12:32,625 It's watering. Well done, Machond! 1370 01:12:32,791 --> 01:12:35,041 - Dry ass! - Come on, ass! 1371 01:12:35,208 --> 01:12:38,125 [together] Dry ass, dry ass, dry ass, dry ass! 1372 01:12:38,291 --> 01:12:40,708 [cheers and applause] 1373 01:12:44,625 --> 01:12:47,500 - [Machond] We are all artists. - Yes, more or less. 1374 01:12:47,666 --> 01:12:49,833 There will be more and more of us. 1375 01:12:50,000 --> 01:12:52,291 Every family counts at least one, 1376 01:12:52,458 --> 01:12:54,375 or even two per family, 1377 01:12:54,541 --> 01:12:58,291 like in the old days, there was a doctor, a priest, a soldier, a lawyer. 1378 01:12:58,458 --> 01:13:01,541 So what are we going to do of all these artists? 1379 01:13:01,708 --> 01:13:03,375 Have you thought about that? 1380 01:13:03,541 --> 01:13:05,583 No, we're going to have to rethink art. 1381 01:13:05,750 --> 01:13:08,583 Art will become organic, epidermal, internal! 1382 01:13:09,916 --> 01:13:12,125 What are you talking about? Oh ! 1383 01:13:12,708 --> 01:13:14,125 And your hedgehogs? 1384 01:13:14,291 --> 01:13:15,916 - What ? - They're good. 1385 01:13:16,083 --> 01:13:17,750 Yes, that's nice. 1386 01:13:17,916 --> 01:13:21,291 But I don't paint, I have never painted! 1387 01:13:21,458 --> 01:13:24,875 Me, I paint the idea of ​​painting. You have to ask yourself this question! 1388 01:13:25,041 --> 01:13:27,250 - That's nonsense! - [phone tone] 1389 01:13:28,000 --> 01:13:31,416 [Bagnoule] Well, listen, uh... Have another Calva, friends. 1390 01:13:31,583 --> 01:13:34,375 - [enthusiastic shouts] - [they discuss] 1391 01:13:34,875 --> 01:13:36,625 [Machond] I heard the word Calva! 1392 01:13:36,791 --> 01:13:38,583 [rhythmic music in the background] 1393 01:13:38,750 --> 01:13:41,458 - Wouldn't you stop there? - No, it's okay. 1394 01:13:42,458 --> 01:13:43,416 Deborah... 1395 01:13:45,625 --> 01:13:48,000 All artists hold the alcohol. 1396 01:14:00,375 --> 01:14:02,583 [rhythmic electronic music] 1397 01:14:05,000 --> 01:14:06,166 [he snores] 1398 01:14:09,208 --> 01:14:11,416 [psychedelic music] 1399 01:14:20,166 --> 01:14:22,458 [electronic music] 1400 01:14:38,958 --> 01:14:40,708 [music fades] 1401 01:14:41,333 --> 01:14:43,458 - [the seagulls sing] - Oh, shit 1402 01:14:46,875 --> 01:14:48,083 [he groans] 1403 01:14:49,375 --> 01:14:51,875 Car? Car? 1404 01:14:56,791 --> 01:14:58,791 [he breathes heavily] 1405 01:15:05,458 --> 01:15:07,291 [phone tone] 1406 01:15:09,833 --> 01:15:11,958 [he breathes heavily] 1407 01:15:17,000 --> 01:15:18,625 Oh, shit. 1408 01:15:20,875 --> 01:15:22,500 [station hubbub] 1409 01:15:28,250 --> 01:15:30,583 Ah, Machond! Machond! 1410 01:15:32,833 --> 01:15:34,458 Ah, that’s not possible! 1411 01:15:35,166 --> 01:15:38,291 What is this outfit? Then, your face. 1412 01:15:38,458 --> 01:15:40,708 Ah! We did a little party at... 1413 01:15:40,875 --> 01:15:43,708 at Bagnoule, and it's a bit long to explain. 1414 01:15:43,875 --> 01:15:46,625 Does it bother you what if we come back to my place? 1415 01:15:46,791 --> 01:15:48,541 No, we're very late. 1416 01:15:48,708 --> 01:15:50,291 Are you driving? 1417 01:15:50,458 --> 01:15:51,958 - From the car? - Yes. 1418 01:15:52,125 --> 01:15:53,958 But ? Aren't we going there by bus? 1419 01:15:54,291 --> 01:15:57,333 You are crazy. You see me really take the bus? 1420 01:15:58,083 --> 01:16:00,875 Uh, no... But I took my ticket. So... 1421 01:16:01,041 --> 01:16:05,583 Machond, you are friendly, but sometimes embarrassing. Here we go ! 1422 01:16:05,750 --> 01:16:07,375 [he mumbles] 1423 01:16:09,208 --> 01:16:11,000 [seagulls sing] 1424 01:16:17,083 --> 01:16:21,166 - Well Ben, tomorrow then? - [Machond grunts] 1425 01:16:21,333 --> 01:16:23,958 Well, I don't know, I'll think about it. Wicked. 1426 01:16:25,625 --> 01:16:26,875 See you tomorrow. 1427 01:16:27,291 --> 01:16:29,375 [in an eager tone] See you tomorrow. 1428 01:16:31,708 --> 01:16:34,250 I had to go throw up in the latrines. 1429 01:16:35,541 --> 01:16:39,375 Bagnoule had prepared a capon for me. Heavy, heavy, heavy. 1430 01:16:39,541 --> 01:16:41,625 He cooks like a Soviet. 1431 01:16:42,375 --> 01:16:44,750 - Oh, you are sublime, my love. - [she shouts] 1432 01:16:44,916 --> 01:16:48,000 - Where will all this lead us? - You have the breath of a sea lion. 1433 01:16:48,166 --> 01:16:50,291 Here, take a mint here. 1434 01:16:50,875 --> 01:16:52,791 Oh, it's possible... 1435 01:16:52,958 --> 01:16:56,375 - I have allergies. - No, but it's not dangerous. 1436 01:16:57,208 --> 01:16:59,250 Go ahead honestly, eh. 1437 01:16:59,416 --> 01:17:01,208 Well, it's not all that, 1438 01:17:01,375 --> 01:17:05,125 I have an empty stomach, and I'm a little hungry myself. 1439 01:17:05,500 --> 01:17:07,500 Shall we stop at a restaurant? 1440 01:17:07,666 --> 01:17:09,666 No. We'll make a stop this evening. 1441 01:17:09,833 --> 01:17:12,750 - In a charming hotel. - Well, no. 1442 01:17:12,916 --> 01:17:15,416 Brussels is only 500 kilometers away, 1443 01:17:15,583 --> 01:17:17,541 No need to take a step. 1444 01:17:18,291 --> 01:17:21,666 I don't like long journeys. Do I have to explain everything? 1445 01:17:21,833 --> 01:17:24,750 - It's painful. Here we go ? Come on, damn. - Well, okay. 1446 01:17:24,916 --> 01:17:26,625 [intriguing music] 1447 01:17:26,791 --> 01:17:28,708 A little romantic stopover. 1448 01:17:28,875 --> 01:17:30,250 [engine starts] 1449 01:17:30,416 --> 01:17:32,125 Sometimes I'm so... 1450 01:17:34,333 --> 01:17:37,000 - Come on, let's go. - [she moans, desperate] 1451 01:17:44,583 --> 01:17:46,375 [birds chirp] 1452 01:17:46,541 --> 01:17:48,833 Your card and your key. 1453 01:17:49,000 --> 01:17:50,375 The other for him. 1454 01:17:50,541 --> 01:17:53,333 - I'll let you sort it out, Jean-Yves? - Yes of course. 1455 01:17:53,500 --> 01:17:56,375 Um... Do you accept cash? 1456 01:17:56,541 --> 01:17:58,458 - Yes. - And a table for 7 p.m. 1457 01:17:58,625 --> 01:18:00,958 I'm going to rest in my room. 1458 01:18:01,125 --> 01:18:03,541 - Shall we not go for a walk? - I'm exhausted. 1459 01:18:03,708 --> 01:18:06,250 I'm going to sleep. Do what you want. 1460 01:18:06,416 --> 01:18:08,875 - Okay, my Cécile. - Uh... 1461 01:18:09,041 --> 01:18:12,125 Your room is not ready. We have a beautiful garden. 1462 01:18:12,291 --> 01:18:15,000 - If you want to wait there. - [he nods] 1463 01:18:15,166 --> 01:18:17,458 That's 122 euros, please. 1464 01:18:18,041 --> 01:18:19,708 [birds chirp] 1465 01:18:19,875 --> 01:18:21,166 [he snores] 1466 01:18:27,125 --> 01:18:28,916 [automatic watering] 1467 01:18:54,791 --> 01:18:57,000 [soft piano music] 1468 01:18:58,666 --> 01:19:00,833 Ah! It was good. 1469 01:19:01,458 --> 01:19:02,708 Very good. 1470 01:19:02,875 --> 01:19:04,875 I feel good, Jean-Yves. 1471 01:19:05,708 --> 01:19:07,666 I think I feel free. 1472 01:19:09,166 --> 01:19:12,208 I rarely even felt also free, 1473 01:19:15,583 --> 01:19:18,541 To come back to the concept of your new space. 1474 01:19:19,333 --> 01:19:21,500 We talked a lot from the gallery. 1475 01:19:21,666 --> 01:19:24,250 We take a little walk in the garden? 1476 01:19:24,416 --> 01:19:26,625 I want to stretch my legs. 1477 01:19:30,041 --> 01:19:31,500 Good evening, thank you. 1478 01:19:32,708 --> 01:19:35,875 - [she greets the couple] - [music continues] 1479 01:19:36,041 --> 01:19:38,458 Sometimes at night I feel like a wolf. 1480 01:19:38,625 --> 01:19:39,833 Yes. 1481 01:19:40,000 --> 01:19:42,166 [nature ambiance] 1482 01:19:42,333 --> 01:19:44,625 One of the most beautiful evenings of my life. 1483 01:19:44,791 --> 01:19:45,875 Oh. 1484 01:19:46,583 --> 01:19:50,000 You are a woman... so amazing. 1485 01:19:51,041 --> 01:19:53,458 - [music stops] - Near and far. 1486 01:19:54,416 --> 01:19:56,500 The “Different different”. 1487 01:19:57,291 --> 01:19:59,916 Oh yes. But yes. “Different different.” 1488 01:20:00,083 --> 01:20:01,958 Your idea for my gallery. 1489 01:20:02,125 --> 01:20:05,250 I like it. It's interesting. It could be like... 1490 01:20:05,416 --> 01:20:07,583 an underlying flow, a rhizome. 1491 01:20:07,750 --> 01:20:10,583 - And so topical. - Of course. 1492 01:20:10,750 --> 01:20:13,166 But, I ask myself always the question. 1493 01:20:13,333 --> 01:20:15,666 Shouldn't we consider English? 1494 01:20:16,625 --> 01:20:18,333 [she is surprised] Ah! 1495 01:20:18,916 --> 01:20:23,541 Yes. “The different difference”. “The different difference”. 1496 01:20:23,708 --> 01:20:27,625 - Because “Different different”. - Like, "The different different"... 1497 01:20:27,791 --> 01:20:29,916 I'm a little cold, let's go home, right? 1498 01:20:37,250 --> 01:20:40,250 That's it, no more. Not these days, I'm not... 1499 01:20:40,416 --> 01:20:42,583 lie down, we start very early. 1500 01:20:42,750 --> 01:20:45,791 - [he protests weakly] - Good night, be reasonable. 1501 01:20:48,125 --> 01:20:50,708 Cecile. Cecile. 1502 01:20:50,875 --> 01:20:54,041 Let me lie down next to you. I will make myself very small. 1503 01:20:54,208 --> 01:20:57,958 I will be the shadow of your shadow, the shadow of your hand... 1504 01:20:58,500 --> 01:20:59,875 Is that Brel? 1505 01:21:00,458 --> 01:21:02,333 Yes. Yes, it's Brel. 1506 01:21:02,500 --> 01:21:05,083 Well, we're not even in Belgium again! 1507 01:21:07,833 --> 01:21:09,375 [scary note] 1508 01:21:12,208 --> 01:21:15,666 - Mr. Machond. This is the reception. - Yes ? 1509 01:21:15,833 --> 01:21:18,541 Hello, it's 12 p.m. You had to leave at 11 a.m. 1510 01:21:18,708 --> 01:21:21,708 - Oh shit ! Is it noon? - It's 12:12 p.m. 1511 01:21:21,875 --> 01:21:23,666 [hostel hubbub] 1512 01:21:25,208 --> 01:21:28,291 - Have you seen Madame Fouasse? - She left. 1513 01:21:28,458 --> 01:21:31,500 - Oh no, not possible. - Yes, she left very early. 1514 01:21:31,666 --> 01:21:32,875 [he grumbles] 1515 01:21:34,833 --> 01:21:38,500 - Sir, the mini bar! - Just a second, ma'am. 1516 01:21:40,458 --> 01:21:42,958 - [a lawnmower covers his voice] - Cecile? 1517 01:21:43,125 --> 01:21:46,875 - Slept well, big guy? - Yes, I dozed off for a long time. 1518 01:21:47,041 --> 01:21:48,541 [impatient] Where are you? 1519 01:21:48,708 --> 01:21:51,666 - In Brussels. - In Brussels. No. But no ! 1520 01:21:51,833 --> 01:21:53,375 Cécile... Cécile... 1521 01:21:53,541 --> 01:21:57,000 This is not possible. I am here, in front of the hotel, in the parking lot. 1522 01:21:57,166 --> 01:22:00,833 With my little wheeled suitcase. I'm waiting for you. Come join me. 1523 01:22:01,000 --> 01:22:03,208 [he is desperate] How do I do it? 1524 01:22:03,375 --> 01:22:06,291 Don't overwhelm me with reality. You are hurting me. 1525 01:22:06,458 --> 01:22:10,125 Excuse me. Knock you out with what? 1526 01:22:10,291 --> 01:22:13,125 - [end of call beep] - Hello? Hello ? 1527 01:22:13,291 --> 01:22:16,208 - Hello ? Hello-hello? - [lawn mower] 1528 01:22:18,916 --> 01:22:21,583 - [call tone] - Cécile Fouasse-Demauprès. 1529 01:22:21,750 --> 01:22:24,125 - Leave a message. - [he hangs up] 1530 01:22:25,083 --> 01:22:26,625 - So? - The mini-bar. 1531 01:22:26,791 --> 01:22:28,875 Yes. I had a small beer. 1532 01:22:29,041 --> 01:22:31,458 - I remember that. - Monsieur took everything. 1533 01:22:31,625 --> 01:22:33,250 Digestives and chocolates. 1534 01:22:33,416 --> 01:22:35,875 That's 69.50. In cash? 1535 01:22:36,041 --> 01:22:37,666 - I forgot. - Species ? 1536 01:22:37,833 --> 01:22:40,375 Cash, yes. I have to go to Brussels. 1537 01:22:40,541 --> 01:22:43,208 - Do you know where there is a train station? - Oh, there! 1538 01:22:43,375 --> 01:22:45,666 The train doesn't pass anymore. Try Daumiane, 1539 01:22:45,833 --> 01:22:47,541 it's 50 km away. - Daumiane. 1540 01:22:47,708 --> 01:22:49,583 - How do I get there? - How ? 1541 01:22:49,750 --> 01:22:52,291 - Daumiane station... - Oh! By coach. 1542 01:22:52,458 --> 01:22:53,583 By coach? 1543 01:22:53,750 --> 01:22:56,958 On the other hand, you have to hurry to catch the last one. 1544 01:22:57,125 --> 01:22:58,625 Okay. 1545 01:22:59,083 --> 01:23:00,833 [glass tinkles in the distance] 1546 01:23:01,875 --> 01:23:04,000 - Thank you. - Have a nice day, sir. 1547 01:23:04,166 --> 01:23:05,708 [the engine whirs] 1548 01:23:07,500 --> 01:23:09,500 Wait! Wait ! 1549 01:23:10,666 --> 01:23:11,791 Wait ! 1550 01:23:13,250 --> 01:23:14,458 [he grumbles] 1551 01:23:18,041 --> 01:23:19,916 Wait... Wait! 1552 01:23:20,083 --> 01:23:22,416 [he pushes plaintive groans] 1553 01:23:30,666 --> 01:23:33,708 - [traffic ambiance] - [birds chirp] 1554 01:23:46,708 --> 01:23:48,333 [a phone rings] 1555 01:23:52,083 --> 01:23:53,333 Yes, Cécile? 1556 01:23:53,500 --> 01:23:56,208 [he takes on a happy voice and laughs] Oh, Pilou. 1557 01:23:56,750 --> 01:23:59,958 No. I thought that it was Cécile who called me 1558 01:24:00,125 --> 01:24:03,666 because she is at the amenities. Maybe she had a problem. 1559 01:24:03,833 --> 01:24:08,208 So no, no, everything is fine. Yesterday, perhaps we had to stop. 1560 01:24:08,375 --> 01:24:11,875 She was sick. We took a very nice little hostel. 1561 01:24:12,041 --> 01:24:16,458 She was a bit... Yes, there you go. Well, I wouldn't say it like that. 1562 01:24:16,625 --> 01:24:19,458 No, no, no. She didn't talk to me about a lover. 1563 01:24:19,625 --> 01:24:23,416 No, no. Have no fear. No, no, I would know, no. 1564 01:24:23,583 --> 01:24:26,333 No, no. We talked a lot of... his news 1565 01:24:26,500 --> 01:24:28,916 gallery, but no lover. So. 1566 01:24:29,083 --> 01:24:32,125 Don't worry. Anyway, Mr. Pilou... 1567 01:24:32,291 --> 01:24:35,458 I'm here. I will hold you aware of whatever happens. 1568 01:24:35,625 --> 01:24:37,083 There you go, see you soon. 1569 01:24:37,958 --> 01:24:40,916 Shit, shit, shit! 1570 01:24:41,208 --> 01:24:42,375 Shit ! 1571 01:24:44,125 --> 01:24:46,291 - Everything is fine ? - No, everything is not well. 1572 01:24:47,625 --> 01:24:50,083 I walk. I have the right, right? 1573 01:24:50,250 --> 01:24:51,791 [he shouts] Hop, hop, hop! 1574 01:24:51,958 --> 01:24:54,791 Hop, hop, hop! I do what I want. 1575 01:24:54,958 --> 01:24:57,625 And there I go back. It's a concept. 1576 01:24:57,791 --> 01:25:01,541 And there, I move forward again. One, two, three, four, five... 1577 01:25:01,708 --> 01:25:04,416 It's a concept. I walk like this. So. 1578 01:25:04,583 --> 01:25:08,000 But the concept is beyond you. And back again. 1579 01:25:08,166 --> 01:25:10,125 And I come back to the front. 1580 01:25:11,041 --> 01:25:13,416 - Your papers, sir. - No, sir. 1581 01:25:13,583 --> 01:25:15,708 - I don't have to do it. - Your papers. 1582 01:25:15,875 --> 01:25:19,416 - Jean-Yves Machond, that’s enough. - Very good, your papers. 1583 01:25:19,583 --> 01:25:22,708 No. For what ? I'm in a forest, sir. 1584 01:25:22,875 --> 01:25:25,208 I have the right. Unless I'm disturbing. 1585 01:25:25,375 --> 01:25:27,916 - I don't bother anyone. - Sir, step back. 1586 01:25:28,083 --> 01:25:31,083 Don't raise your hands on me. No police violence. 1587 01:25:31,250 --> 01:25:33,583 - I'm not raising my hand. - You lifted it! 1588 01:25:33,750 --> 01:25:36,250 -Black lives matter! - What ? 1589 01:25:36,416 --> 01:25:38,333 [he screams] Nice try! No ! 1590 01:25:38,500 --> 01:25:40,625 But of what? 1591 01:25:40,791 --> 01:25:43,000 With your shoes of hatred. 1592 01:25:43,166 --> 01:25:45,583 Ouch! Calm down! 1593 01:25:45,750 --> 01:25:47,208 [he reasons] 1594 01:25:47,375 --> 01:25:50,750 - Jacky, come on! Enough, sir! - [Machond delirious] 1595 01:25:51,083 --> 01:25:53,916 It's not possible. What a weirdo! Come on, that's good. 1596 01:25:54,083 --> 01:25:55,541 People of the forest! 1597 01:25:55,708 --> 01:25:57,625 [in a normal tone] My suitcase! 1598 01:25:57,791 --> 01:26:00,166 - I'll bring it to you, the suitcase. - [he is delirious] 1599 01:26:00,333 --> 01:26:01,833 - Be careful! - Bastard! 1600 01:26:02,000 --> 01:26:03,458 - My suitcase! - Go home. 1601 01:26:03,625 --> 01:26:05,416 [he continues to rave] 1602 01:26:07,833 --> 01:26:09,500 [in a normal tone] Thank you. 1603 01:26:09,666 --> 01:26:11,583 [he sings out of tune] 1604 01:26:11,750 --> 01:26:15,375 [in a normal tone] Where is your police station? 1605 01:26:15,541 --> 01:26:18,250 That would suit me that we get closer to Daumiade. 1606 01:26:19,250 --> 01:26:20,708 [he breathes heavily] 1607 01:26:24,541 --> 01:26:26,000 [keys jingle] 1608 01:26:26,166 --> 01:26:29,500 - [we insert a key into a door] - [clears his throat] 1609 01:26:30,000 --> 01:26:31,708 [the door is unlocked] 1610 01:26:31,875 --> 01:26:33,875 [the door is unlocked] 1611 01:26:34,833 --> 01:26:36,833 - Are you okay? - How are you. 1612 01:26:37,000 --> 01:26:38,958 Have you calmed down since yesterday? 1613 01:26:39,125 --> 01:26:41,500 I'm better. Excuse me. I... 1614 01:26:42,458 --> 01:26:45,166 - Is the insurrection over? - No. 1615 01:26:45,333 --> 01:26:47,000 Justice for Adama? 1616 01:26:47,166 --> 01:26:48,666 - No. - Are we okay? 1617 01:26:48,833 --> 01:26:50,833 - Yes. - I'm not Göring? 1618 01:26:52,125 --> 01:26:53,625 Goring? No. 1619 01:26:53,791 --> 01:26:55,250 Goebbels? 1620 01:26:55,416 --> 01:26:59,291 Neither did Goebbels. No, no, it's more Che... 1621 01:26:59,916 --> 01:27:01,416 Guevara. 1622 01:27:01,958 --> 01:27:03,708 [he sighs] Go ahead. 1623 01:27:04,666 --> 01:27:06,250 Like that ? I can... 1624 01:27:06,416 --> 01:27:08,291 Thank you. [he hesitates] 1625 01:27:08,458 --> 01:27:11,125 I can ask you a little thing? 1626 01:27:11,291 --> 01:27:13,791 How to reach Le Tréport in transport? 1627 01:27:14,791 --> 01:27:16,916 I have a little advice, first. 1628 01:27:17,083 --> 01:27:19,583 Any advice? Gladly. I'm listening to you. 1629 01:27:19,750 --> 01:27:22,500 You should learn to shut your mouth. 1630 01:27:24,458 --> 01:27:26,083 [a motor whirs] 1631 01:27:29,083 --> 01:27:30,750 [he snores softly] 1632 01:27:33,666 --> 01:27:35,250 [ominous music] 1633 01:27:51,666 --> 01:27:53,708 [the music becomes oppressive] 1634 01:27:55,833 --> 01:27:58,166 [music fades] 1635 01:27:58,333 --> 01:27:59,875 [a motor whirs] 1636 01:28:06,458 --> 01:28:08,291 [the plastic of the bag squeaks] 1637 01:28:12,291 --> 01:28:13,958 [bag squeaking] 1638 01:28:40,333 --> 01:28:43,291 You know what do they do to wolves? 1639 01:28:43,458 --> 01:28:44,958 Pardon ? 1640 01:28:45,125 --> 01:28:47,583 You know what do they do to wolves? 1641 01:28:48,875 --> 01:28:51,625 - No. - They miniaturize them. 1642 01:28:54,916 --> 01:28:56,791 It's true, I was told that. 1643 01:28:58,416 --> 01:29:00,833 They make them smaller and smaller. 1644 01:29:05,041 --> 01:29:07,416 I have one here. 1645 01:29:13,041 --> 01:29:15,666 A wolf who wants to come out. 1646 01:29:16,833 --> 01:29:18,166 I hear it. 1647 01:29:19,416 --> 01:29:20,791 Do you hear it? 1648 01:29:21,458 --> 01:29:22,791 No. 1649 01:29:27,833 --> 01:29:29,375 Listen. 1650 01:29:36,833 --> 01:29:38,833 [his voice trembles] Do you hear? 1651 01:29:39,375 --> 01:29:40,583 [he whispers] Yes. 1652 01:29:41,375 --> 01:29:43,500 [he imitates the wolf] Ooh, ooh, ooh. 1653 01:29:45,916 --> 01:29:48,166 They wanted to take it away at the hospital. 1654 01:29:48,333 --> 01:29:51,250 But in the current context, it's too dangerous. 1655 01:29:51,666 --> 01:29:53,208 I understand. 1656 01:29:53,375 --> 01:29:55,166 Do you also have a wolf? 1657 01:29:58,708 --> 01:30:00,125 [he sighs] 1658 01:30:01,958 --> 01:30:04,416 No. 1659 01:30:05,333 --> 01:30:06,541 No, no. 1660 01:30:06,708 --> 01:30:07,916 [he hesitates] 1661 01:30:11,250 --> 01:30:13,416 [in an uncertain tone] I have a daughter. 1662 01:30:13,583 --> 01:30:15,958 [sentimental, gentle music] 1663 01:30:16,125 --> 01:30:17,958 [his voice cracks] But... 1664 01:30:22,708 --> 01:30:24,750 I don't have... I don't have anything anymore. 1665 01:30:25,875 --> 01:30:29,500 Excuse me. Excuse me. Pardon. 1666 01:30:29,666 --> 01:30:31,041 [he whispers] It's going to be okay. 1667 01:30:31,208 --> 01:30:33,625 I'm sorry. Excuse me, I... 1668 01:30:33,791 --> 01:30:35,000 [he sniffs] 1669 01:30:38,375 --> 01:30:40,750 But there is your wolf. 1670 01:30:40,916 --> 01:30:42,208 Look at. 1671 01:30:42,375 --> 01:30:43,625 There. 1672 01:30:45,291 --> 01:30:46,833 Oh, my stone? 1673 01:30:48,041 --> 01:30:50,125 [his breathing is ragged] 1674 01:30:56,583 --> 01:30:57,791 Thank you. 1675 01:31:03,833 --> 01:31:06,333 - [the seagulls sing] - [station hubbub] 1676 01:31:20,875 --> 01:31:22,083 [he whispers] Oh, damn. 1677 01:31:22,750 --> 01:31:25,041 But what... 1678 01:31:25,208 --> 01:31:26,500 Oh, my god. 1679 01:31:27,166 --> 01:31:28,541 Oh my God. 1680 01:31:28,875 --> 01:31:31,125 [his voice cracks] What... 1681 01:31:32,000 --> 01:31:33,333 [squeaks] 1682 01:31:37,708 --> 01:31:40,250 [dejectedly] Oh, damn. Oh, no. 1683 01:31:41,500 --> 01:31:42,708 Oh, no. 1684 01:31:43,583 --> 01:31:44,791 Oh, no. 1685 01:31:47,541 --> 01:31:48,875 [squeaks] 1686 01:31:56,458 --> 01:31:57,916 [the wind blows] 1687 01:32:03,458 --> 01:32:06,041 [squeaks] 1688 01:32:19,791 --> 01:32:21,083 Are you okay, Machond? 1689 01:32:22,958 --> 01:32:25,083 It's okay, Pilou. 1690 01:32:25,958 --> 01:32:28,166 - [he gives a little embarrassed laugh] - [Pilou imitates him] 1691 01:32:29,375 --> 01:32:31,000 I know about Cécile. 1692 01:32:32,000 --> 01:32:33,333 [squeaks] 1693 01:32:33,500 --> 01:32:36,166 Listen, I'll explain. 1694 01:32:36,333 --> 01:32:38,041 I know, I know everything. 1695 01:32:39,375 --> 01:32:41,083 A Belgian osteopath 1696 01:32:41,250 --> 01:32:42,458 from Brussels. 1697 01:32:43,000 --> 01:32:47,875 This fool must have given a stupid shamanism course here. 1698 01:32:48,041 --> 01:32:51,083 That's ancient history, it's over. 1699 01:32:51,250 --> 01:32:52,375 Did you see anything? 1700 01:32:52,541 --> 01:32:54,416 - Pardon ? - Would you have told me? 1701 01:32:55,208 --> 01:32:56,791 - Of course. - That goes without saying. 1702 01:32:56,958 --> 01:32:58,833 I would have told you. 1703 01:32:59,000 --> 01:33:00,541 - An osteopath? - Mmh. 1704 01:33:00,708 --> 01:33:01,750 Belgian. 1705 01:33:02,791 --> 01:33:04,916 Here, I have your money. And I... 1706 01:33:05,083 --> 01:33:06,625 Two thousand for the pussies. 1707 01:33:07,125 --> 01:33:10,208 Pussies...? Ah, pussies! Yes, hedgehogs. 1708 01:33:10,708 --> 01:33:13,875 Unfortunately, I'm burning them. 1709 01:33:15,375 --> 01:33:17,000 - Yes, I'll stop. - Oh, hey! 1710 01:33:17,166 --> 01:33:19,250 - Yes, I'll stop. - Will you stop? 1711 01:33:19,416 --> 01:33:20,625 - Yes. - What? 1712 01:33:20,791 --> 01:33:23,458 painting, cinema, literature. 1713 01:33:23,625 --> 01:33:26,041 - Finished. - Cinema, literature, you? 1714 01:33:26,500 --> 01:33:28,666 - Well, yes. - Ah, I didn't know. 1715 01:33:28,833 --> 01:33:31,208 Well, maybe it's better like this. 1716 01:33:31,375 --> 01:33:32,708 Ah, do you think so? 1717 01:33:32,875 --> 01:33:34,125 Okay... 1718 01:33:34,291 --> 01:33:36,916 Finally, you know, there are too many. 1719 01:33:37,916 --> 01:33:39,291 It's for you. 1720 01:33:39,458 --> 01:33:41,666 You need it more than me. 1721 01:33:43,166 --> 01:33:47,125 I still have Macha's painting. Don't you want it back? 1722 01:33:47,291 --> 01:33:50,208 But I had ruined it through the window, me, that. 1723 01:33:50,375 --> 01:33:52,333 - Yes, that's true. - Yeah... 1724 01:33:52,875 --> 01:33:54,416 I'm not interested. 1725 01:34:01,291 --> 01:34:03,083 [soft piano music] 1726 01:34:06,208 --> 01:34:08,000 [seagulls sing] 1727 01:34:12,541 --> 01:34:14,916 - Shall I serve you a Blue Sky? - Pardon ? 1728 01:34:15,083 --> 01:34:16,875 Shall I serve you a Blue Sky? 1729 01:34:17,041 --> 01:34:18,833 Oh no, not this time. 1730 01:34:19,708 --> 01:34:21,458 Do you know where Deborah is? 1731 01:34:21,958 --> 01:34:23,875 She's gone, huh? 1732 01:34:24,041 --> 01:34:26,916 - Gone, that is to say? Or ? - Well far away, I think. 1733 01:34:27,083 --> 01:34:29,458 You know, she always comes back. 1734 01:34:29,625 --> 01:34:31,833 Two weeks, three months, it depends. 1735 01:34:33,208 --> 01:34:35,125 [Machond blows, dejected] 1736 01:34:37,458 --> 01:34:39,041 Do you have a pen? 1737 01:34:44,000 --> 01:34:48,875 Could you give this to him? By hand. 1738 01:34:49,041 --> 01:34:52,875 I bought a work from Déborah, I owed him money. 1739 01:34:53,166 --> 01:34:55,000 You can count on me. 1740 01:34:55,166 --> 01:34:56,625 THANKS. 1741 01:35:00,083 --> 01:35:01,125 Oh ! 1742 01:35:06,000 --> 01:35:08,041 If you come across Bagnoule, 1743 01:35:08,666 --> 01:35:11,458 can you give him that? 1744 01:35:12,166 --> 01:35:13,625 Of course. 1745 01:35:14,250 --> 01:35:15,416 THANKS. 1746 01:35:16,750 --> 01:35:19,583 - Good day. - [the seagulls sing] 1747 01:35:28,041 --> 01:35:30,833 - [dramatic piano music] - [sea surf] 1748 01:36:12,708 --> 01:36:15,791 [ominous notes on the piano creep in] 1749 01:36:15,958 --> 01:36:17,833 [sad piano music] 1750 01:36:38,166 --> 01:36:39,791 [music stops] 1751 01:36:55,083 --> 01:36:57,291 [happy phone ringing] 1752 01:37:04,833 --> 01:37:06,041 Yes, hello? 1753 01:37:06,916 --> 01:37:10,125 Ah, excuse me, I'm busy here. 1754 01:37:11,375 --> 01:37:14,916 I came home, but I won't stay not much longer, that's it. 1755 01:37:15,791 --> 01:37:17,000 What ? 1756 01:37:17,375 --> 01:37:19,000 But no ! When ? 1757 01:37:19,166 --> 01:37:22,000 Oh shit. I'm coming, I'm coming! 1758 01:37:30,333 --> 01:37:33,791 Yes, it's me again. I don't know where it is. 1759 01:37:33,958 --> 01:37:35,875 [his shoes squeak] 1760 01:37:43,666 --> 01:37:44,875 [he sighs] 1761 01:37:46,833 --> 01:37:48,458 [squeals in the distance] 1762 01:37:51,000 --> 01:37:52,166 [he whispers] Shit. 1763 01:37:52,875 --> 01:37:54,791 [in a small voice] Machond. 1764 01:37:54,958 --> 01:37:57,041 - Thanks for coming. - Oh my. 1765 01:38:01,833 --> 01:38:03,541 [he whispers] What happened? 1766 01:38:04,666 --> 01:38:07,583 A discomfort, I don't know. He was working on his giraffe, 1767 01:38:07,750 --> 01:38:11,083 he fell from the ladder, and he's been in a coma since yesterday. 1768 01:38:12,000 --> 01:38:16,625 And even a Chambertin 2016, he doesn't react, I don't know. 1769 01:38:16,791 --> 01:38:18,958 - No, well, Bagnoule. - Mmh. 1770 01:38:19,125 --> 01:38:22,208 In this state, we are not interested in the wine cellar. 1771 01:38:23,041 --> 01:38:26,166 - Do you think so? - And where is... Where is his wife? 1772 01:38:27,083 --> 01:38:29,083 - Noi? - Yes, Noi. 1773 01:38:29,250 --> 01:38:31,750 But Noi, she's not his wife... 1774 01:38:33,166 --> 01:38:35,375 Yeah. But shush. 1775 01:38:36,083 --> 01:38:38,791 [whispers] I'm sure that he listens to us and hears us. 1776 01:38:39,541 --> 01:38:42,083 - Do you think he can hear us? - Well yes, yes. 1777 01:38:42,250 --> 01:38:43,458 [he whispers] Oh shit! 1778 01:38:43,625 --> 01:38:45,791 - Listen. - Yes. 1779 01:38:45,958 --> 01:38:47,375 [Machond hesitates] 1780 01:38:49,250 --> 01:38:50,875 I could talk to him. 1781 01:38:51,041 --> 01:38:53,875 - Well... - When I talk to people, 1782 01:38:54,041 --> 01:38:56,750 I always make them a bit of an effect... I can... 1783 01:38:56,916 --> 01:38:59,208 But it's funny, I noticed it. 1784 01:38:59,375 --> 01:39:00,875 You have a funny thing. 1785 01:39:01,041 --> 01:39:02,291 - Do you see? - Yes. 1786 01:39:03,250 --> 01:39:04,875 Well, go ahead, try 1787 01:39:06,500 --> 01:39:08,875 - I'm going because... - You must be exhausted. 1788 01:39:09,041 --> 01:39:10,791 - I didn't sleep. - Yes. 1789 01:39:10,958 --> 01:39:12,833 THANKS. Thank you so much. 1790 01:39:14,250 --> 01:39:15,875 Ciao. 1791 01:39:16,666 --> 01:39:17,875 [he sighs] 1792 01:39:20,916 --> 01:39:23,458 [in a solemn voice] What to say at the bedside 1793 01:39:23,625 --> 01:39:25,750 of a dying artist? 1794 01:39:27,333 --> 01:39:29,041 I don't know. 1795 01:39:30,166 --> 01:39:31,833 Ah, The Homet. 1796 01:39:32,833 --> 01:39:34,416 Presumably... 1797 01:39:36,083 --> 01:39:38,750 - [sentimental music] - You are leaving us. 1798 01:39:38,916 --> 01:39:42,958 But somewhere, I envy you. 1799 01:39:43,250 --> 01:39:46,375 Because you are leaving a world of brutes. 1800 01:39:48,375 --> 01:39:51,208 Being an artist is painful. 1801 01:39:51,375 --> 01:39:55,791 You didn't realize it, but I am too lucid. 1802 01:39:55,958 --> 01:39:59,125 Your work was special, a bit crude... 1803 01:40:00,666 --> 01:40:03,708 unsightly, wild... 1804 01:40:04,833 --> 01:40:07,000 awkward, sometimes, but... 1805 01:40:08,208 --> 01:40:09,500 But so true. 1806 01:40:09,666 --> 01:40:13,958 I had opted for the avant-garde TGV. 1807 01:40:16,250 --> 01:40:17,583 The great joke. 1808 01:40:17,750 --> 01:40:19,666 You were naive, Le Homet. 1809 01:40:20,333 --> 01:40:24,125 But it was your strength. This is so rare in this day and age. 1810 01:40:25,833 --> 01:40:28,375 Were you happy? Happy ! Pardon. 1811 01:40:30,833 --> 01:40:34,166 I said, you knew how to live. You were living life to the fullest. 1812 01:40:34,333 --> 01:40:37,458 Bacon omelettes... [he laughs softly] 1813 01:40:37,625 --> 01:40:41,833 Stuffed cabbage. The mushrooms that make you fart... 1814 01:40:42,000 --> 01:40:45,416 Bordeaux, how did you like that. 1815 01:40:45,875 --> 01:40:47,958 Me, on the other hand... [blasé laugh] 1816 01:40:48,625 --> 01:40:52,291 I was content of a few pages of James Joyce. 1817 01:40:52,458 --> 01:40:54,375 An article from the Cahiers... 1818 01:40:55,708 --> 01:40:57,333 Noisy music. 1819 01:40:57,500 --> 01:41:01,416 A point-blank discussion with a cultured Parisian. 1820 01:41:02,125 --> 01:41:05,458 Maybe I'll miss it. Well, it's not me who's leaving. 1821 01:41:05,625 --> 01:41:08,375 So you have to know how to look death in the face. 1822 01:41:08,541 --> 01:41:11,541 But above all, I wanted to say goodbye to you. 1823 01:41:11,708 --> 01:41:15,541 Farewell and above all thank you, Le Homet. 1824 01:41:15,708 --> 01:41:19,125 You opened my eyes, you made me understand... 1825 01:41:21,083 --> 01:41:23,000 that I was on the wrong track. 1826 01:41:24,041 --> 01:41:25,250 Yes... 1827 01:41:26,625 --> 01:41:31,750 I wanted to paint, but what could I paint? 1828 01:41:32,375 --> 01:41:34,125 You were the artists. 1829 01:41:34,291 --> 01:41:37,500 It was you, it was Déborah, it was Bagnoule, 1830 01:41:37,666 --> 01:41:38,958 it was Masha. 1831 01:41:40,000 --> 01:41:42,458 You were the guardians of memory. 1832 01:41:43,333 --> 01:41:44,625 The security guards... 1833 01:41:47,291 --> 01:41:49,875 In this new kingdom blind people, 1834 01:41:51,083 --> 01:41:55,041 you are the one-eyed guardians of the beauty of the world. 1835 01:41:56,666 --> 01:41:58,125 Shut your mouth. 1836 01:41:58,291 --> 01:42:00,583 Shut your mouth, shut your mouth! 1837 01:42:00,750 --> 01:42:01,958 Forever. 1838 01:42:02,125 --> 01:42:03,291 Forever. 1839 01:42:03,458 --> 01:42:05,958 - And let me die. - I'll let you die. 1840 01:42:06,125 --> 01:42:07,500 - So. - So. 1841 01:42:07,666 --> 01:42:09,291 - So. - Come on. 1842 01:42:09,458 --> 01:42:12,291 God in heaven! He's alive! He woke up! 1843 01:42:12,458 --> 01:42:13,916 [the wind blows] 1844 01:42:17,125 --> 01:42:19,041 [theme music, soft] 1845 01:43:17,416 --> 01:43:20,791 You have to listen to the world, that way you'll see it better. 1846 01:43:22,208 --> 01:43:23,791 But it's good. 1847 01:43:23,958 --> 01:43:25,750 [a seagull sings] 1848 01:43:31,208 --> 01:43:34,208 Bagnoule! Look, a seagull! 1849 01:43:35,625 --> 01:43:37,458 [Bagnoule] How beautiful it is. 1850 01:43:38,625 --> 01:43:42,500 You see, Machond, beauty is not over yet. 1851 01:44:00,041 --> 01:44:01,250 Jean-Yves! 1852 01:44:01,416 --> 01:44:04,125 We will call you by video. Are you coming? 1853 01:44:04,291 --> 01:44:06,041 I'm coming, I'm coming. 1854 01:44:15,750 --> 01:44:17,208 Deborah? 1855 01:44:19,541 --> 01:44:21,208 - My God. -Hello! 1856 01:44:21,375 --> 01:44:22,583 Are you doing well ? 1857 01:44:22,750 --> 01:44:25,041 Yes, I was painting. 1858 01:44:25,666 --> 01:44:28,791 We created a small team... 1859 01:44:29,750 --> 01:44:31,750 with Bagnoule, Macha, all that. 1860 01:44:32,291 --> 01:44:35,083 Mouton's Painting Painting. It's English. 1861 01:44:35,250 --> 01:44:38,625 And where were you? Where the hell were you? 1862 01:44:39,208 --> 01:44:42,041 I'm calling from Qingdao, China. 1863 01:44:43,291 --> 01:44:44,833 Qingdao? 1864 01:44:45,541 --> 01:44:46,750 Hmm... 1865 01:44:47,208 --> 01:44:48,750 I'll give you your daughter. 1866 01:44:48,916 --> 01:44:51,833 - [the seagulls sing] - [sea surf in the distance] 1867 01:45:00,375 --> 01:45:02,375 [sentimental piano music] 1868 01:45:22,708 --> 01:45:24,166 [sea surf] 1869 01:45:48,291 --> 01:45:50,125 [dramatic music] 1870 01:48:23,166 --> 01:48:25,250 [soft electronic music] 1871 01:49:28,416 --> 01:49:31,416 Subtitles: Babel Subtitling - babelSUB.be